The unconscious : $b The fundamentals of human personality, normal and abnormalPrince, Morton
Science
The unconscious : $b The fundamentals of human personality, normal and abnormal
Prince, Morton
Psychology, Pathological; Subconsciousness
The images as I interpret them were the secondary images belonging to
subconscious ideas or processes.[174] To understand the conditions in
this instance it will be necessary to explain certain antecedent facts.
I had arranged to make certain hypnotic and other experiments on two
patients in the presence of each other. The one in question, the subject
of this observation, hesitated to have them made on herself in the
presence of a second person, fearing lest the various subconscious
phenomena which she exhibited would be regarded as stigmata and she be
thought “queer.” Each, of course, wished to see the experiments on the
other. The subject in question had for a long time been rather obsessed
with the insistent foolish idea that if people knew she manifested these
phenomena they would not care to know her socially. It was a point of
view which had been more or less obstinately maintained in spite of all
contradictory arguments. The idea had specifically recurred from time to
time in particular situations, and had caused considerable emotional
disturbance. If not a true obsession it was close to one. Nevertheless
she wanted to take part both for the object of seeing the experiments
and also of meeting the second patient. Still there were anxious doubts
and scruples in her mind arising from her desire, on the one hand, and a
fear, on the other, that it was a social mistake to do so. This had been
going on during several days and had been even the subject of
correspondence, discussions, etc. It was only at the last moment that
she could screw up her courage to take part in the experiments.
Finally the experiments were made, with the result as above stated. Now
the coconscious images which were accompanied by the tremors, etc., were
pictures of herself, of the second patient, and of myself. These images
coming and going seemed, as in a pantomime, to symbolize her previous
thoughts. Sometimes the image of the second patient turned away from the
subject, sometimes the three images were present, but the one of the
subject stood apart from the others as if an outcast, and in both these
latter cases particularly she would shake with tremor, and would “get
awfully hot all over,” and break out in perspiration. Then apparently
reassuring pictures would come and the tremor would cease.
Public-domain text, read in full here on John Shaqi.
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