London (England) -- Fiction; Mate selection -- Fiction; Political fiction; Politicians -- Fiction
The Ladies' Gallery was crowded by Members' wives and daughters,
enthusiastic Primrose League workers, dowagers, and a few of the smarter
set. Among the latter, at the extreme end of the gallery, sat a
well-preserved, elderly woman of rather aristocratic bearing,
accompanied by a blue-eyed girl in lavender, wearing a costly opera
cloak trimmed with sable, a girl with a countenance so charming that she
would cause a sensation anywhere. The black toilette of the elder woman
and the lavender "creation" worn by her daughter, spoke mutely to the
other women near them of an _atelier_ in the Rue de la Paix, but as to
their names, these were unknown to every person in the gallery.
When Chisholm had risen to address the House the elder had bent to the
younger and whispered something in her ear. Then both women had pressed
their faces eagerly to the grille, and, sitting bent forward, listened
to every word that fell so deliberately from the speaker's lips.
Again the aristocratic-looking woman with the white hair whispered to
the girl beside her, so low that no one overheard:
"There, Muriel! That is the man. I have not exaggerated his qualities,
have I? You must marry him, my dear--you must marry him!"
CHAPTER TWO.
CONCERNS CLAUDIA'S CAPRICE.
The division had been taken, the position of the Government saved, and
the House was "up."
Dudley Chisholm, after driving back in a hansom to his chambers in St.
James's Street, stretched himself before the fire with a weary sigh of
relief, to rest himself after the struggle in which he had been so
prominent a figure. His rooms, almost opposite the Naval and Military
Club, were decorated in that modern style affected by the younger
generation of bachelors, with rich brocade hangings, Turkey carpets, art
pottery, and woodwork painted dead white. A single glance, however,
showed it to be the abode of a man sufficiently wealthy to be able to
indulge in costly works of art and fine old china; and although modern
in every sense of the word, it was, nevertheless, a very snug, tasteful
and well-arranged abode.
The room in which he was sitting, deep in a big armchair of the
"grandfather" type, was a study; not spacious, but lined completely with
well-chosen books, while the centre was occupied by a large, workmanlike
table littered by the many official documents which his secretary had,
on the previous morning, brought to him from the Foreign Office. The
electric lamp on the table was shaded by a cover of pale green silk and
lace, so that he sat in the shadow, with the firelight playing upon his
dark and serious features.
Parsons, his bent, white-haired old servant in livery of an antiquated
cut, had noiselessly entered with his master's whiskey and soda, and
after placing it in its accustomed spot on a small table at his elbow,
was about to retire, when the younger man, deep in reflection, stirred
himself, asking:
"Who brought that letter--the one I found here when I came in?"
Public-domain text, read in full here on John Shaqi.
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