American fiction -- 20th century; Divorce -- Fiction; Married people -- Fiction; Rich people -- Fiction
forbid expectoration in the street cars. Suggestions that the vicious
and unregenerate adult pauper poor should not be herded with the young,
that busy physicians should cleanse a lancet before probing a wound,
and that sewage should not be emptied into a river used as a source of
water supply, were still sniffed at by those in charge of public
affairs as aristocratic innovations unworthy the attention of a
sovereign people. Architectural beauty both within and without the
house was disregarded in favor of monotonous sober hues and solid
effects, which were deemed to be suggestive of the seriousness of the
national character.
While deploring some of these civic manifestations, Mr. Prentiss had
appreciated that the basis of this æsthetic sterility was ethical.
When less discerning persons had attributed it solely to ignorance and
self-righteous superficiality he had maintained that a puritanical, yet
moral and sincere, hostility to extravagance and display was
responsible for the preference for ugly architecture and homely
upholstery and decoration, and that conscience was the most formidable
obstacle to progress. As a priest of a church which fostered beauty
and favored rational enjoyment of the fruits of the earth, he had never
sympathized with this public attitude, but he had understood and, as an
American, respected it.
Now, in the twinkling of an eye, as it were, all was changed, and
Benham was in the throes of a revival; a revival which during the last
ten years had revolutionized Benham's architecture and Benham's point
of view. The public had become possessed by the conviction that they
had outgrown their associations and that the standards hitherto revered
were out of date and unworthy of a nation and a city pledged to
enlighten the world, upon whom prosperity had been bestowed in large
measure. The group of earnest souls who had dared to criticise seemed
suddenly to have become a phalanx--numerically unimportant, still, when
compared with the whole population, that seething army of industrial
wage-earners--but assertive and energetic out of proportion to their
numbers. The city had become a hive of reforming activities.
Specialists in the arts and humanities were no longer classed as
traitors, but were welcomed by a growing clientage as safeguards
against bumptious individualism. Though a cheerful optimism in regard
to the city's architectural merits still prevailed at large, a silent
censorship was at work; substituting, in the business quarter, new
mammoth structures adapted to modern industrial needs, erecting in the
fashionable quarter, by the aid of American architects trained in
Paris, well-built and individual-looking residences. Instead of three
or four cheerless, barrack-like caravansaries with sodden cookery,
there was a score of modern hotels, the proprietors of which vied with
one another in their endeavors to lure patronage by costly and
sumptuous innovations. There were comfortable and inviting
restaurants.
Public-domain text, read in full here on John Shaqi.
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