American fiction -- 20th century; Divorce -- Fiction; Married people -- Fiction; Rich people -- Fiction
The slap-dash luncheon counter, with its display of
pallid pie and one cadaverous chicken, was waning in the popular
esteem, in favor of neat spas, at which the rush of patronage was
alleviated by clean service and wholesome fare. There were eight
theatres, each more spacious and splendid than its predecessor. A
frowsy black coat, worn in the forenoon, had ceased to be a badge of
patriotism or moral worth, and the community had become alive to the
values of spruceness, color, and comfort in matters of dress. Not only
this, but on the streets of Benham there were many stylish equipages
with liveried grooms, and in the superb homes which the wealthy
citizens had established, there were grand entertainments, where
rivalry was rampant and money flowed like champagne. And last, but not
least, there was Mrs. Randolph Wilson, the quintessence in her own
person of all that was best in this revival in favor of the beautiful
things of life, the living embodiment of this newly directed and
freshly inspired energy. For well-to-do Benham and Mr. Prentiss liked
to believe that the impulse behind these materialistic manifestations
was conscience and aspiration, a reaching out for a greater human
happiness and a wider human usefulness than had been possible under the
old dispensation. This access of lavish philanthropy and study of
charitable methods, this zeal of committees promoting new and more
thorough methods in hygiene and education, and all the phases of this
new awakening in quest of Christian beauty signified to him
Benham's--and hence American--originality and fervor refined and
spiritualized; Benham's enterprise and independence informed,
chastened, and fortified.
Public-domain text, read in full here on John Shaqi.
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