The doctor, enthusiastic as he is with his new discoveries, had the mortal remains of the immortal heroes taken from their graves, and the great departed ones received the unprecedented honor to have their portraits painted by an artist of our day. Of course, the golden mask was used for that purpose. The greatest scientific importance of the discoveries at Mycenæ, lies in the fact that we now make acquaintance with a kind of art which very nearly approaches oriental representation and oriental technique. It can easily be seen, from the works of art found by the excavations, that the artists of that remote time did not care so much to give true representations of real existing things, but to procure to dead things, as much as possible, a living, graceful form. [Sidenote: GRECIAN ART IN MYCENÆ.] Among the treasures, a golden plate was found, upon which Heracles is engraved, struggling with a lion. This last engraving, above all others, may serve as a scientific guide, through the labyrinth of the treasures of Mycenæ. The struggles of Heracles with the monsters of the earth, are the property of Grecian tradition; hence, we have not to deal with Asiatic or India-European art, but with real, purely Grecian art. The most precious objects found at Mycenæ, are collected at Athens, with those formerly found by the doctor among the treasures of Priamus, and are preserved in the vaults of an Ionian bank. It is proper that we should allude to Dr. Schliemann’s heroic wife, of whom, as his most valuable and sympathetic assistant in his labors, he speaks, as is most fitting, in words which constitute her highest eulogy. The story of their union reads like a romance. “Mrs. Schliemann is the only woman in Greece who knows the Odyssey by heart.” The Dr. once said, before a party of Athenians, that he would marry the first lady who could recite the Odyssey. A fair Greek girl appeared one day, unintroduced, and asking if the promise was genuine, recited Homer, and secured her home. She also secured a wife’s share of $1,000,000. The two have been faithfully burrowing among its ruins themselves, and as will be seen from the portrait, she is proud of the accomplishments of her husband, and wears one of the trophies of his glory, the head apparel of queen Helena, whose elopement with Paris, the son of Priamus, caused the Trojan war. [Sidenote: STATUARY AND ARCHITECTURE.]