The Usurper: An Episode in Japanese HistoryGautier, Judith
History
The Usurper: An Episode in Japanese History
Gautier, Judith
French fiction -- Translations into English; Japan -- History -- Fiction
As the morning advanced, the streets became fuller and fuller of merry
tumult. Bearers of norimonos, clad in light tunics drawn tightly round
their waist, with large shield-shaped hats, shouted to the people to
make room. Samurais went by on horseback, preceded by runners, who,
with lowered head and arms extended, forced a passage through the
crowd. Groups paused to talk, sheltered from the sun by huge parasols,
and formed motionless islands in the midst of the surging, billowy
sea of promenaders. A doctor hurried by, fanning himself gravely, and
followed by his two assistants carrying the medicine-chest.
"Illustrious master, are you not going to the feast!" cried the
passers-by.
"Sick men pay no heed to feasts," he answered with a sigh; "and as
there are none for them, there can be none for us."
On the banks of Yedogava the excitement was still greater. The river
was literally hidden by thousands of vessels; the masts trimmed, the
sails still unset, but ready to unfurl, like wings; the hatchways hung
with silks and satins; the prows decked with banners whose golden
fringe, dipped into the water, glittered in the sun, and stained the
azure stream with many-colored ripples.
Bands of young women in brilliant attire came down the snowy steps of
the river-banks cut into broad terraces. They entered elegant boats
made of camphor-wood, set off by carvings and ornaments of copper, and
filled them with flowers, which spread perfumes through the air.
From the top of Kiobassi--that fine bridge which resembles a bent
bow--were hung pieces of gauze; crape, and light silk, of the most
delicate colors, and covered with inscriptions. A gentle breeze softly
stirred these lovely stuffs, which the boats, moving up and down,
pushed aside as they passed. In, the distance glistened the tall tower
of the palace and the two monstrous goldfish which adorn its pinnacle.
At the entrance to the city, to right and left of the river, the two
superb bastions looking out to sea displayed on every tower, at each
angle of the wall, the national standard, white with a scarlet disk,
--an emblem of the sun rising through the morning mists. Scattered
pagodas upreared above the trees against the radiant sky their many
roofs, curled upward at the edge in Chinese fashion.
The pagoda of Yebis, the divinity of the sea, attracted especial
attention upon this day; not that its towers were higher, or its sacred
doors more numerous, than those of neighboring temples, but from its
gardens was to start the religious procession so eagerly awaited by the
crowd.
At last, in the distance, the drum sounded. Every ear was bent to catch
the sacred rhythm familiar to all: a few violent blows at regular
intervals, then a hasty roll, gradually fading and dying, then again
abrupt blows.
A tremendous roar of delight rose from the crowd, who instantly took
their places along the houses on either side of the streets through
which the procession was to pass.
Public-domain text, read in full here on John Shaqi.
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