The Usurper: An Episode in Japanese HistoryGautier, Judith
History
The Usurper: An Episode in Japanese History
Gautier, Judith
French fiction -- Translations into English; Japan -- History -- Fiction
The Kashiras, district police, rapidly stretched cords from stake to
stake, to prevent the throng from trespassing on the main street. The
procession had started; it had passed through the Tory, or sacred
gateway which stands outside the pagoda of Yebis; and soon it defiled
before the impatient multitude.
First came sixteen archers, one behind the other, in two lines, each
man at a convenient distance from the other. They wore armor made of
plates of black horn fastened together by stitches of red wool. Two
swords were thrust through their sashes, barbed arrows extended above
their shoulders, and in their hands they held huge bows of black and
gold lacquer. Behind them came a body of servants bearing long staffs
tufted with silk. Then appeared Tartar musicians, whose advent was
announced by a joyous racket. Metallic vibrations of the gong sounded
at intervals, mingled with drums beaten vigorously, shuddering cymbals,
conch-shells giving out sonorous notes, shrill flute-tones, and blasts
of trumpets rending the air, formed such an intensity of noise, that
the nearest spectators winked and blinked, and seemed almost blinded.
After the musicians came, borne on a high platform, a gigantic
crawfish, ridden by a bonze. Flags of every hue, long and narrow,
bearing the arms of the city, and held by boys, swung to and fro about
the enormous crustacean. Following, were fifty lancers, wearing round
lacquer hats, and carrying on their shoulders a lance trimmed with
a red tassel. Two servants led next a splendidly caparisoned horse,
whose mane, drawn up above his neck, was braided and arranged like a
rich fancy trimming. Standard-bearers marched behind this horse; their
banners were blue, and covered with golden characters. Then advanced
two great Corean tigers, with open jaws and bloodshot eyes. Children
in the crowd screamed with fright; but the tigers were of pasteboard,
and men, hidden in their paws, made them move. A monstrous drum, of
cylindrical form, followed, borne by two bonzes; a third walked beside
it and struck the drum incessantly with his clenched fist.
Finally came seven splendidly dressed young women, who were received
with merry applause. These were the most famous and most beautiful
courtesans of the town. They walked one after the other majestically,
full of pride, each accompanied by a maid, and followed by a man who
held a large silken parasol over her. The people, who knew them well,
named them as they passed.
"There's the woman with the silver teal!" Two of those birds were
embroidered on the large loose-sleeved cloak which she wore over her
many dresses, whose collars were folded one above the other upon her
breast. The cloak was of green satin, the embroidery of white silk,
mixed with silver. The fair one's headdress was stuck full of enormous
tortoise-shell pins, forming a semicircle of rays around her face.
"That one there, that is the seaweed woman!"
Public-domain text, read in full here on John Shaqi.
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