The Usurper: An Episode in Japanese HistoryGautier, Judith
History
The Usurper: An Episode in Japanese History
Gautier, Judith
French fiction -- Translations into English; Japan -- History -- Fiction
The beautiful growth, whose silken roots were lost in the embroideries
of the cloak, floated out from the stuff and fluttered in the wind.
Then came the beauty with the golden dolphin; the beauty with the
almond-blossoms; the beauties with the swan, the peacocks, and the blue
monkey. All walked barefooted upon high clogs made of ebony, which
increased their apparent height. Their heads bristled with shell-pins,
and their faces, skilfully painted, seemed young and charming under the
soft shadow of the parasol.
Behind these women marched men bearing willow-branches; then a whole
army of priests, carrying on litters, or under pretty canopies with
gilded tops, the accessories, ornaments, and furniture of the temple,
which was purified during the progress of the procession.
After all these came the shrine of Yebis, the God of the Sea, the
indefatigable fisher who spends entire days wrapped in a net, a line in
his hand, standing on a rock half submerged in the water. The octagonal
roof was covered with blue and silver, bordered with a pearl fringe,
and surmounted by a great bird with outspread wings. This shrine,
containing the God Yebis invisible within, was borne by fifty bonzes
naked to the waist.
Behind, upon a litter, was borne the magnificent fish consecrated to
Yebis, the _Akama, or scarlet lady_,--the favorite dish of all those
who are fond of dainty fare. Thirty horsemen armed with pikes ended the
procession.
The long train crossed the city, followed by the crowd which gathered
in its rear; it reached the suburbs, and after a long march came out
upon the sea-shore.
Simultaneously with its arrival, thousands of vessels reached the mouth
of Yedogava, which wafted them gently towards the ocean. The sails were
spread, the oars bit the water, banners floated on the breeze, while
the sun flashed myriad sparkles across the blue, dancing waves.
Fide-Yori also reached the shore by the road that skirts the river
bank; he stopped his horse and sat motionless in the midst of his
suite, which was but scanty, the Regent being unwilling to eclipse the
religious _cortége_ by the royal luxury.
Hieyas himself was carried in a norimono, as were the mother and wife
of the Shogun. He declared himself ill.
Fifty soldiers, a few standard-bearers, and two out-runners formed the
entire escort.
The arrival of the young Prince divided the attention of the crowd, and
the procession of Yebis no longer sufficed to attract every eye. The
royal headdress, a sort of oblong golden cap placed upon Fide-Yori's
head, made him easily recognizable from a distance.
Soon the religious procession filed slowly before the Shogun. Then
the priests with the shrine left the ranks and went close down to the
water's edge.
Public-domain text, read in full here on John Shaqi.
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