His servants clustered about him, and the Prince was soon arrayed in the broad trailing trousers which make the wearer look as if he were walking on his knees, and the stiff ceremonial mantle, made still more heavy by the crest embroidered on its sleeves. The arms of Nagato consisted of a black bolt surmounting three balls in the form of a pyramid. The young man, usually so careful of his dress, paid no attention to the work of his servants; he did not even glance at the mirror so well polished by Loo, when the high pointed cap, tied by golden ribbons, was placed on his head. As soon as his toilette was complete he left the palace; but so great was his abstraction that, instead of getting into the norimono awaiting him in the midst of his escort, he set off on foot, dragging his huge pantaloons in the sand, and exposing himself to the rays of the sun. His suite, terrified at this breach of etiquette, followed in utter disorder, while the spies ordered to watch the actions of the Prince hastened to report this extraordinary occurrence to their various masters. The ramparts of the royal residence at Osaka, thick, lofty walls flanked at intervals by a semicircular bastion, form a huge square, which encloses several palaces and vast gardens. To the south and west the fortress is sheltered by the city; on the north the river which flows through Osaka widens, and forms an immense moat at the foot of the rampart; on the east, a narrower stream bounds it. On the platform of the walls grows a row of centenarian cedars of a sombre verdure, their level branches projecting horizontally across the battlements. Within, a second wall, preceded by a moat, encloses the parks and palaces reserved for the princes and their families. Between this wall and the ramparts lie the houses of soldiers and officials. A third wall surrounds the private palace of the Shogun, built upon a hill. This building is of simple but noble design. Square towers with roof upon roof rise here and there from the general mass. Marble stair-ways, bordered by slender lacquer railings, and decorated at the foot by bronze monsters or huge pottery vases, lead to the outer galleries. The terrace before the palace is covered with gravel and white sand which reflects back the splendor of the sun. In the centre of the edifice stands a large, lofty, and magnificently ornate square tower. It supports seven roofs, whose angles are bent upward; on the topmost roof two enormous goldfish[3] writhe and twist, glittering so that they may be seen from every point of the city. In that part of the palace nearest to this tower is the Hall of a Thousand Mats, the meeting-place for the Council. The lords arrived from all directions, climbed the hill, and moved towards the central portico of the palace, which opens upon a long gallery loading directly into the Hall of a Thousand Mats.