The Valet's Tragedy, and Other StudiesLang, Andrew
History
The Valet's Tragedy, and Other Studies
Lang, Andrew
History; World history
He sail-ed east, he sail-ed vest,
Until he came to famed Tur-key,
Vere he vos taken and put to prisin,
Until his life was quite wea-ry.
Thackeray:
He sailed East, and he sailed West,
Until he came to proud Turkey,
Where he was taken and put to prison,
Until his life was almost weary.
There are discrepancies in the arrangement of the verses, and a most
important various reading.
Cruikshank:
Now sevin long years is gone and past,
And fourteen days vell known to me;
She packed up all her gay clouthing,
And swore Lord Bateman she would go see.
To this verse, in Cruikshank’s book, a note (not by Cruikshank) is
added:
‘“Now sevin long years is gone and past,
And fourteen days well known to me.”’
In this may be recognised, though in a minor degree, the same gifted
hand that portrayed the Mussulman, the pirate, the father, and the
bigot, in two words (“This Turk”).
‘“The time is gone, the historian knows it, and that is enough for the
reader. This is the dignity of history very strikingly exemplified.”’
That note to Cruikshank’s text is, like all the delightful notes, if
style is evidence, not by Dickens, but by Thackeray. Yet, in his own
text, with an exemplary fidelity, he reads: ‘And fourteen days well
known to THEE.’ To whom? We are left in ignorance; and conjecture,
though tempting, is unsafe. The reading of Cruikshank, ‘vell known to
ME’--that is, to the poet--is confirmed by the hitherto unprinted
‘Lord Bedmin.’ This version, collected by Miss Wyatt Edgell in 1899, as
recited by a blind old woman in a workhouse, who had learned it in
her youth, now lies before the present writer. He owes this invaluable
document to the kindness of Miss Wyatt Edgell and Lady Rosalind
Northcote. Invaluable it is, because it proves that Lord Bateman (or
Bedmin) is really a volkslied, a popular and current version of the
ancient ballad. ‘Famed Turkey’ becomes ‘Torquay’ in this text, probably
by a misapprehension on the part of the collector or reciter. The speech
of the bride’s mother is here omitted, though it occurs in older texts;
but, on the whole, the blind old woman’s memory has proved itself
excellent. In one place she gives Thackeray’s reading in preference to
that of Cruikshank, thus:
Cruikshank:
Ven he vent down on his bended knee.
Thackeray:
Down on his bended knees fell he.
Old Woman:
Down on his bended knee fell he.
Public-domain text, read in full here on John Shaqi.
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