The Valet's Tragedy, and Other StudiesLang, Andrew
History
The Valet's Tragedy, and Other Studies
Lang, Andrew
History; World history
There followed Chettle’s well-known apology (1592), as editor of
Greene’s sally, to Shakespeare. Chettle speaks of his excellence ‘in
the quality he professes,’ and of his ‘facetious grace in writing, that
approves his art,’ this on the authority of ‘the report of divers of
worship.’
This proves, of course, that Shakespeare was a writer as well as an
actor, and Judge Webb can only murmur that ‘we are “left to guess” who
divers of worship’ were, and ‘what motive’ they had for praising his
‘facetious grace in writing.’ The obvious motive was approval of the
work, for work there WAS, and, as to who the ‘divers’ were, nobody
knows.
The evidence that, IN THE OPINION OF GREENE, CHETTLE, AND ‘DIVERS OF
WORSHIP,’ Shakespeare was a writer as well as an actor is absolutely
irrefragable. Had Shakespeare been the ignorant lout of the Baconian
theorists, these men would not have credited him, for example, with his
first signed and printed piece, ‘Venus and Adonis.’ It appeared early
in 1593, and Greene and Chettle wrote in 1592. ‘Divers of worship,’
according to the custom of the time, may have seen ‘Venus and Adonis’ in
manuscript. It was printed by Richard Field, a Stratford-on-Avon man,
as was natural, a Stratford-on-Avon man being the author.* It was
dedicated, in stately but not servile courtesy, to the Earl of
Southampton, by ‘William Shakespeare.’
*Phillipps, i. p. 101.
Judge Webb asks: ‘Was it a pseudonym, or was it the real name of the
author of the poem?’ Well, Shakespeare signs ‘Shakspere’ in two deeds,
in which the draftsman throughout calls him ‘Shakespeare:’ obviously
taking no difference.* People were not particular, Shakespeare let them
spell his name as best pleased them.
*Phillipps, ii. pp. 34, 36.
Judge Webb argues that Southampton ‘took no notice’ of the dedication.
How can he know? Ben Jonson dedicated to Lady Wroth and many others.
Does Judge Webb know what ‘notice’ they took? He says that on various
occasions ‘Southampton did not recognise the existence of the Player.’
How can he know? I have dedicated books to dozens of people. Probably
they ‘took notice,’ but no record thereof exists. The use of arguments
of this kind demonstrates the feebleness of the case.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account