England -- Social life and customs -- 20th century -- Fiction; Social classes -- England -- Fiction
Norah could not help feeling flattered by such a testimonial from one
whose experience among women had evidently been immense, and though she
might have expected a superlative without qualification from somebody
who met her in a West Kensington drawing-room, she realized that she
must expect a slight qualification from a world-wanderer like Mr.
Vavasour. A few minutes later Norah and her appreciative new
acquaintance descended the echoing steps of Shelley Mansions and were
soon safe from any suggestion of Fulham in the landscape and walking
slowly through the familiar streets of West Kensington, which in the
autumnal mistiness looked grave and imposing. The sky was clear above
them, and a fat, yellow moon was rolling along behind a battlement of
chimney-tops.
"O moon of my delight who know'st no wane!" quoted Mr. Vavasour, in a
devout apostrophe.
Perhaps it was because he imagined himself in a Persian garden much
farther away from West Kensington than even Fulham was that he allowed
himself to take Norah's arm; nor did she make any objection. After all,
he considered her one of the most beautiful girls he had ever met, and,
being engaged to be married, she could allow her arm to be taken without
danger or loss of dignity.
"And so you really advise me to go on the stage?" she asked, as if she
would insinuate that the taking of her arm was only a gesture of
interrogation.
"Absolutely," Mr. Vavasour replied.
"Yes, but of course my father's awfully old-fashioned, and he may think
I oughtn't to go on the stage."
"Too much exposed to temptation and all that, I suppose?" suggested Mr.
Vavasour.
"Oh no," said Norah, irritably, withdrawing her arm. "I didn't mean
that. I meant he might think the family wouldn't like it."
She had intended to give the impression of belonging to a poor but noble
family without giving the impression of being snobbish, and she was
rather annoyed with Mr. Vavasour for not understanding at once what she
meant.
"Oh, but people from the best families go on the stage nowadays," he
assured her.
"Yes, I suppose they do," Norah agreed.
"And of course you could always change your name," he added.
"Yes, of course I could do that," she admitted.
"I changed mine, for instance," he told her.
"I like the name Vavasour."
"Yes, I rather liked it myself," he said; but he did not volunteer his
own name, and she did not ask him to reveal what Howards or Montagus had
plucked him forever from their family tree. In any case this was not the
moment to embark on fresh confidences, for they were approaching the
main street and Norah was almost sure that the figure standing at the
corner of Lonsdale Road on the other side was her eldest brother,
Roland.
"Don't come any farther," she said. "Perhaps we'll meet again at Lily's
some day."
Public-domain text, read in full here on John Shaqi.
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