The Veil Lifted: Modern Developments of Spirit Photography — John Shaqi
The Veil Lifted: Modern Developments of Spirit Photography
Religion
The Veil Lifted: Modern Developments of Spirit Photography
Spirit photography; Spiritualism
“Before dealing with the sitting, I premise that the dry
plates which were to be used in the camera were purchased by
us in a shop in Edinburgh on the day preceding Mr. Duguid’s
arrival, and the chemicals required for the development of the
negative were what remained of the supply purchased by us on
the occasion of Mr. Duguid’s former visit. The sitting began
about twelve o’clock, and four plates were first used by the
medium. After an hour two more plates were tried, and then we
ceased operations. These six plates were taken out one by one
from the paper in which they were wrapped, by my second eldest
daughter, in a ‘dark’ room, lighted with a small red lamp,
and then handed by her to Mr. Duguid. He, in her presence,
put each plate, as it was required to be used, into the dark
slide, which he then took to the bedroom and inserted in the
camera. By desire of the medium my wife and two daughters in
succession, just before each photograph was taken, put one of
their hands on the top of the camera for a second or two. As I
have said, six of the twelve plates purchased by us were used
at the sitting, and on development it was found that on four of
them there was a child’s face and form appearing close to the
sitters, who were my wife and two daughters before referred to.
After the sitting closed, Mr. Duguid proposed to take the four
plates with him to Glasgow to get them printed off; but pending
his going home, he left the whole series with us overnight, and
got them from us next day.
Public-domain text, read in full here on John Shaqi.
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