“In the interim, however, our anxiety as to the child’s face on the four negatives led us to attempt to print off an impression on some prepared paper we had left in the house from the last futile experiment. Accordingly, my second eldest daughter, who has had some experience in amateur photography, took the four plates I have above referred to, and put them to be printed at one of the windows. On examining the four impressions as they were printed off, we were gratified to find, on each of the four photographs or copies so printed, a clear and well-defined likeness of our departed son, not with a ‘shadowy’ or ‘filmy’ face, like some spirit photographs I have seen, but quite ‘human-looking,’ although a sweeter and more spiritual expression pervades the countenance than when in earth life. The portrait of our boy is as clear and distinct as the one we possess of Professor Sandringham, which is admitted, by every one who has seen it, to be a splendidly distinct spirit photograph. The first of the negatives which was printed off disclosed our boy sitting up in bed, just in the place where he died, and although, as I have said, his face is more spiritualised, and not so chubby as when in earth life three years ago, yet there is not the least doubt in our minds that it is our loved and lost one as he is now on the other side. The second photograph discloses him as clothed in a boy’s suit, and sitting on his mother’s knee. Here also the face is quite human-looking, and just our son as he looked about the close of his sharp and severe illness. The likeness in all the photographs is essentially the same. Over the figure in each photograph is a beautiful star, and the whole experiment has been a phenomenal success in spirit photography, besides being a source of great joy to us all.