The Veil Lifted: Modern Developments of Spirit Photography — John Shaqi
The Veil Lifted: Modern Developments of Spirit Photography
Religion
The Veil Lifted: Modern Developments of Spirit Photography
Spirit photography; Spiritualism
“Should this lecture induce any present to seek communion with
their departed friends, let me beg of them to seek only for
spiritual aid in an earnest and prayerful manner, in their own
homes, amongst friends who desire to know the truth and will
investigate with unbiassed minds. To such success must come,
sooner or later; but those who try to use God’s spiritual gifts
for worldly and selfish ends will bring disaster on themselves
and discredit on the cause.”
* * * * *
At a séance held twenty-nine years ago, the following question was put as
to spirit photographs: “We do not comprehend how these are produced. Can
you give us any information as to the process gone through?” The answer
given through the medium, Mr. Peter A. Chesser, marine engineer, may be
of interest to some. It was this: “Spirits impress their image on the
plate by depositing thereon repeated layers of magnetism. According to
their respective powers of affording this, so is the impression more or
less distinct. The magnetism must be of the same texture or affinity as
that possessed by the operator; it is accomplished by a rapid vibration
of the spirits’ magnetic emanation in depositing layer after layer, and
the process is this: The operator by frequent manipulation saturates
his materials with his aura—I do not mean the animal aura of mesmerism,
but his spiritual aura; this, by repeated impression on his part from
repeated manipulations (which require considerable time, since he is
still in the body and has, therefore, more difficulty in, as it were,
filtering this spirit-aura through the pores of his body than have
the spirits, who are not trammelled in like manner), at last leaves a
positive viscidity on his materials which serves to retain the first
impressions thrown by the spirits upon it. When they from affinity
cohere, the image is rapidly built up on this superstructure. Any person
through the pores of whose body-material this spirit-aura can readily
pass is in a condition to take photographs of the kind to which you
refer. Much passiveness, however, is requisite.”
This reply refers, of course, to the photographs in class No. I.,
mentioned in the Preface, not to pictures which are produced by spirit
precipitation.
Public-domain text, read in full here on John Shaqi.
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