The Veil Lifted: Modern Developments of Spirit Photography — John Shaqi
The Veil Lifted: Modern Developments of Spirit Photography
Religion
The Veil Lifted: Modern Developments of Spirit Photography
Spirit photography; Spiritualism
In experiments made with Mr. Chesser at that time (1864), we used the
wet-collodion process, on new glass plates which were cut for us by a
glass merchant. The plates were carefully cleansed and finally washed
and rubbed by myself with spirits of wine. We never used a plate twice
in such experiments. What is worth doing at all is worth doing well and
carefully. We obtained some pictures which would have been of interest
had we possessed more knowledge of the subject, but we aimed too high
and were not satisfied with slow progress. In fact we wanted a clear and
good likeness of one of our relatives, so several plates were broken
and put in the dust-bin which, in the light thrown on the subject by
later experience, we should have prized. One plate of that period was
kept because it had a shadowy image of the medium, although he was not
within the field of view when the plate was exposed. Unfortunately, the
photograph was not intensified; for when I was washing it at the tap,
the water got between the plate and the collodion, and away went the
film, but, although torn, I managed to spread part of it on the glass
again. The following statement was made by one of our unseen friends with
respect to that picture. Our questions were put through the medium, and
the answers were given by automatic writing.
QUESTION: We have here a photograph upon which there exists so much
diversity of opinion that we want to know what it is?
ANSWER: It is yourself, distinctly enough, but as we see your next
question we will proceed to explain how it came about that such
impression was produced on the plate.
THE MEDIUM: Stop a moment—do you mean that it is my body or my spirit?
Public-domain text, read in full here on John Shaqi.
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