The Venus of Milo: an archeological study of the goddess of womanhoodCarus, Paul
History
The Venus of Milo: an archeological study of the goddess of womanhood
Carus, Paul
Venus (Roman deity); Venus de Milo
It seems strange that this explanation has not been offered before. The
data of the conditions in which the statue was found, the place of
hiding, the political relation of Melos to Athens, and the character
both of the few pagans and of the multitudes of Christians who lived in
the beginning of the Christian era, tell us the story of the statue,
its sad fate and why it found here a safe place of concealment.
The pagan remnant was small and kept quiet for fear of persecution, but
we may very well imagine how they lived in the hope that paganism would
celebrate a revival, that the storms of these barbarous outbursts would
pass by and the temples of the gods would be restored in all their
ancient glory. Then would come the time to bring the goddess back to her
ancient dwelling place, to raise her altar again and light the sacrifice
anew. But though the riots ceased and the authorities restored order,
though for a short time a pagan emperor sat again on the throne of
Cæsar, the ancient gods never returned and Christianity permanently
replaced paganism. The devotees of the lost cause died without seeing
their hope fulfilled. The desecrated statue remained hidden and their
secret was buried with them in the grave.
THE MEANING OF “APHRODITE.”
The etymology of the name Aphrodite is doubtful. The Greeks derived it
from the word ἀφρός = foam, because the goddess was said to have risen
from the foam of the sea. This wild guess of ancient Greek philology may
have been responsible for the fable that Uranus (Heaven) nightly
embraced Gaia (Earth) until he was attacked and mutilated by his
rebellious son Kronos. Uranus, deprived of his creative ability, retired
to the outskirts of the world. Mythologists assume that herewith the
creation of the raw material of the universe ceased, but that the
generative principle being now mingled with the sea changed into foam,
whence rose the goddess that represents all fertility and creativeness
in both vegetable and animal domains.
If this legend of the origin of Aphrodite is not simply the product of
the wrong etymology of her name[7] it is assumed to have been imported
from Phenicia. The only other similar myth known is found among the
South Sea islanders where Rangi (Heaven) and Papa (Earth) embraced one
another so closely that no life could originate, Rangi being regarded as
a great blue canopy of stone. Then Tane Mahuta, their youngest son,
corresponding to Kronos, the youngest child of Uranus and Gaia, cruelly
separated the couple and forced his father upward and pressed his mother
down, thus becoming the creator of life on earth.[8]
Public-domain text, read in full here on John Shaqi.
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