The Venus of Milo: an archeological study of the goddess of womanhoodCarus, Paul
History
The Venus of Milo: an archeological study of the goddess of womanhood
Carus, Paul
Venus (Roman deity); Venus de Milo
The ancient Greeks were poor philologists and similar failures of
etymological speculation are quite common among them. Thus they
explained the origin of names like Heracles as “the fame of Hera,” or
Amazon as “the woman without breasts,” or Prometheus as “the
forethinker,” etc. All these derivations are wild and obviously wrong
guesses, nor may our modern philologists, though more scientific, be
always exactly correct. We are taught now by comparative philology that
Prometheus, the firebringer, is the Sanskrit word _pramathyus_, “the
driller,” denoting the hard stick[9] which by a swift rotation in a soft
piece of wood produces the spark that calls forth the beneficent flame.
This explanation seems probable but we cannot say that our etymologies
of other names have been equally successful.
One recent interpretation of “Aphrodite” would make us regard the name
as an Egyptian importation, explaining the word to mean _Apharadat_,
“the gift of Ra,” the sun-god, derived from _Pha Raa Da-t_ with the
prosthetic A; but this, like the suggested derivation of Psyche from
_Pha Sakhu_, “the mummy,” seems to be a mere accident of homophony.
Other Greek names such as Elysion from _Aalu_, the Elysian Fields of the
Egyptians, Charon from _Kere_, driver or skipper (ferryman), are better
attested, but if the name Aphrodite came from Egypt the cult of a
goddess by that name and character has been lost or obliterated.
* * * * *
Originally Aphrodite was the same figure as Hera or Juno, Artemis or
Diana and Pallas Athene or Minerva. These female deities are
differentiations of the idealized and personified activities of
womanhood: Hera as the queen of heaven, the protectress of wifehood;
Diana of girlhood and virginity; Athene as the goddess of battles, as
protectress of arts and sciences, as wisdom personified; Aphrodite, the
personification of beauty and love.
The ancient pagans were not so very unlike the Christians; e. g., Istar,
like the Virgin Mary, represented at the same time eternal virginity and
motherhood, and the name of the temple on the Acropolis might truly be
translated “Church of the Holy Virgin,” for Parthenon is derived from
παρθένος, “virgin.”
In prehistoric times there was more reverence for the female deity than
for the male god. So Ares (or Mars) is the god of fight, of
combativeness, while Athene is the teacher of the art of warfare, of
generalship, of strategy in battle.
The character of Aphrodite as a universal principle was never lost sight
of. She was and remained the giver of life, joy, love, loveliness,
grace, fertility, increase, exuberance, rejuvenescence, springtime,
restoration of life, immortality, prosperity and the charm of
existence,--and all this she was in one, all as a universal principle
and in its cosmic significance.
Public-domain text, read in full here on John Shaqi.
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