Detective and mystery stories; England -- Fiction; Murder -- Investigation -- Fiction
“Well,” suggested Gordon, “it’s not much good discussing the portrait
if Reeves is going to see the lovely original to-morrow. I want to
know what’s wrong with a game of bridge?”
“Good idea,” said Marryatt, “it’ll take our minds off the murder. You
know, I think you fellows are getting rather fanciful about the whole
thing.”
“All right,” said Reeves, “my room, though, not downstairs. What’s the
good of having one’s own fireplace if one can’t light a fire in
October?”
Reeves’ room deserves, perhaps, a fuller description than it has
hitherto been given. It had been the best bedroom of the old
Dower-house, and for some reason had been spared when several smaller
rooms had been divided up, at the time of the club’s installation. It
was, consequently, a quite unspoiled piece of early Tudor
architecture; there were latticed windows with deep recesses; dark,
irregular beams supported the white-plastered ceiling; the walls were
oak-panelled; the fireplace open and of genuine old brick. When the
fire, reluctant after long desuetude, had been induced to crackle, and
threw flickering reflections where the shade of the electric light
gave subdued half tones, there was an air of comfort which seemed to
dispel all thought of detective problems, of murderers stalking the
world unpunished, of the open grave that waited in Paston Oatvile
churchyard.
Gordon put down the photograph on a jutting cornice that went round
the panelling. “There, Reeves,” he said, “you shall sit opposite the
lady, and derive inspiration from her. I cannot ask you to hope that
she will smile upon your efforts, but it ought to be an
encouragement.”
They were soon immersed in that reverential silence and concentration
which the game fosters: and if Miss Rendall-Smith’s portrait did not
receive much of their attention, it is probable that the lady herself,
had she been present, would have been treated with little more
ceremony. Reeves, however, was bad at taking his mind off a subject,
and when, as dummy, he was given a short interval of unrepose, his
eyes strayed to the photograph anew. Was this the face, perhaps, that
had lured Brotherhood to his strange doom? Was she even an accomplice,
burdened now with the participation of a guilty secret? Or was she the
sufferer by the crime; and did she wait vainly for news of Davenant,
little knowing that it was Davenant who lay waiting for burial at
Paston Whitchurch? Poor woman, it seemed likely in any case that she
would have much to bear—was it decent to inflict on her a detective
interview and a series of importunate questions? He crushed down the
insurgent weakness: there was no other way for it, she must be
confronted with the facts. The face looked even more beautiful as you
saw it in the firelight, shaded from the glare of the lamp. He
strolled over to look at it again just as the last trump was led.
“Good God!”
Public-domain text, read in full here on John Shaqi.
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