The Vicar of Morwenstow: Being a Life of Robert Stephen Hawker, M.A.Baring-Gould, S. (Sabine)
General
The Vicar of Morwenstow: Being a Life of Robert Stephen Hawker, M.A.
Baring-Gould, S. (Sabine)
Hawker, Robert Stephen, 1803?-1875
The church is dedicated to St. John the Baptist. A little stream runs
through the graveyard, and rushes down the hill to the porch door, where
it is diverted, and carried off to water the glebe. This, he thought,
was brought through the churchyard for symbolic reasons, to typify
Jordan, near which the Baptist ministered. The descent into the church
is by three steps. “Every church dedicated to John the Baptiser,” he
said in one of his sermons, “is thus arranged. We go down into them, as
those who were about to be baptised of John went down into the water.
The Spirit that appeared when Christ descended into Jordan hovers here,
over that font, over you, over me, and ever will hover here as long as a
stone of Morwenna’s church stands on this green slope, and a priest of
God ministers in it.” The south arcade of the nave is much posterior to
that on the north side. One of the capitals bears the inscription:—
THIS WAS MADE ANNO MVCLX4 (1564).
Another capital bears:—
THIS IS THE HOUSE OF THE LORD.
It has been put up inverted. The arcade is rich and good for the date.
Of the same date are the carved oak benches. A few only are earlier, and
bear the symbols of the transfixed heart on the spear, the nails and
cross. These Mr. Hawker found laid as flooring under the pews, their
faces planed. The rest bear, on shields, sea-monsters. There was a fine
oak screen very much earlier in style than the benches. When Mr. Hawker
arrived at Morwenstow, the clerk said to him: “Please, your honor, I
have done you a very gude turn. I’ve just been and cut down and burned a
rubbishing old screen that hid the chancel.”
“You had much better have burnt yourself!” he exclaimed. “Show me what
remains.”
Only a few fragments of the richly sculptured and gilt cornice, and one
piece of tracery, remained. The cornice represents doves flying amidst
oak-leaves and vine-branches, and a fox running after them. The date not
later than 1535, when a screen in the same style and character was
erected at Broadwood Widger.[17]
Mr. Hawker collected every fragment, and put the pieces together with
bits of modern and poor carved wood, and cast-iron tracery, and
constructed therewith a not ineffective rood-screen.
Outside the screen is an early incised cross in the floor, turned with
feet to the west, marking the grave of a priest. “The flock lie with
their feet to the east, looking for the rising of the day-star. But the
pastor always rests with his head to the east, and feet westward, that
at the resurrection day, when all rise, he may be facing those for whom
he must give an account to the Maker and Judge of all, and may say with
the prophet: Behold, I and the children whom the Lord hath given me.”
The chancel was originally lighted by lancets, which have, however, been
blocked up and plastered over. The floor he kept strewn with
southernwood and thyme, “for angels to smell to.”
Public-domain text, read in full here on John Shaqi.
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