But when he did perceive it, he set to work, with the inquisitorial
sagacity which priests acquire by directing consciences and burrowing
into the nothings of the confessional, to establish, as though it were
a matter of religious controversy, the following proposition: “Admitting
that Mademoiselle Gamard did not remember it was Madame de Listomere’s
evening, and that Marianne did think I was home, and did really forget
to make my fire, it is impossible, inasmuch as I myself took down my
candlestick this morning, that Mademoiselle Gamard, seeing it in her
salon, could have supposed I had gone to bed. Ergo, Mademoiselle Gamard
intended that I should stand out in the rain, and, by carrying my
candlestick upstairs, she meant to make me understand it. What does it
all mean?” he said aloud, roused by the gravity of these circumstances,
and rising as he spoke to take off his damp clothes, get into his
dressing-gown, and do up his head for the night. Then he returned from
the bed to the fireplace, gesticulating, and launching forth in various
tones the following sentences, all of which ended in a high falsetto
key, like notes of interjection:
“What the deuce have I done to her? Why is she angry with me? Marianne
did _not_ forget my fire! Mademoiselle told her not to light it! I must
be a child if I can’t see, from the tone and manner she has been taking
to me, that I’ve done something to displease her. Nothing like it ever
happened to Chapeloud! I can’t live in the midst of such torments as--At
my age--”
Public-domain text, read in full here on John Shaqi.
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