The Victorian Age in LiteratureChesterton, G. K. (Gilbert Keith)
History
The Victorian Age in Literature
Chesterton, G. K. (Gilbert Keith)
English literature -- 19th century -- History and criticism
the fundamental fact of early Victorian history was this: the decision
of the middle classes to employ their new wealth in backing up a sort of
aristocratical compromise, and not (like the middle class in the French
Revolution) insisting on a clean sweep and a clear democratic programme.
It went along with the decision of the aristocracy to recruit itself
more freely from the middle class. It was then also that Victorian
"prudery" began: the great lords yielded on this as on Free Trade.
These two decisions have made the doubtful England of to-day; and
Macaulay is typical of them; he is the _bourgeois_ in Belgravia. The
alliance is marked by his great speeches for Lord Grey's Reform Bill: it
is marked even more significantly in his speech against the Chartists.
Cobbett was dead.
Macaulay makes the foundation of the Victorian age in all its very
English and unique elements: its praise of Puritan politics and
abandonment of Puritan theology; its belief in a cautious but perpetual
patching up of the Constitution; its admiration for industrial wealth.
But above all he typifies the two things that really make the Victorian
Age itself, the cheapness and narrowness of its conscious formulæ; the
richness and humanity of its unconscious tradition. There were two
Macaulays, a rational Macaulay who was generally wrong, and a romantic
Macaulay who was almost invariably right. All that was small in him
derives from the dull parliamentarism of men like Sir James Mackintosh;
but all that was great in him has much more kinship with the festive
antiquarianism of Sir Walter Scott.
Public-domain text, read in full here on John Shaqi.
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