The Victorian Age in LiteratureChesterton, G. K. (Gilbert Keith)
History
The Victorian Age in Literature
Chesterton, G. K. (Gilbert Keith)
English literature -- 19th century -- History and criticism
As a philosopher he had only two thoughts; and neither of them is true.
The first was that politics, as an experimental science, must go on
improving, along with clocks, pistols or penknives, by the mere
accumulation of experiment and variety. He was, indeed, far too
strong-minded a man to accept the hazy modern notion that the soul in
its highest sense can change: he seems to have held that religion can
never get any better and that poetry rather tends to get worse. But he
did not see the flaw in his political theory; which is that unless the
soul improves with time there is no guarantee that the accumulations of
experience will be adequately used. Figures do not add themselves up;
birds do not label or stuff themselves; comets do not calculate their
own courses; these things are done by the soul of man. And if the soul
of man is subject to other laws, is liable to sin, to sleep, to
anarchism or to suicide, then all sciences including politics may fall
as sterile and lie as fallow as before man's reason was made. Macaulay
seemed sometimes to talk as if clocks produced clocks, or guns had
families of little pistols, or a penknife littered like a pig. The other
view he held was the more or less utilitarian theory of toleration; that
we should get the best butcher whether he was a Baptist or a
Muggletonian, and the best soldier whether he was a Wesleyan or an
Irvingite. The compromise worked well enough in an England Protestant in
bulk; but Macaulay ought to have seen that it has its limitations. A
good butcher might be a Baptist; he is not very likely to be a Buddhist.
A good soldier might be a Wesleyan; he would hardly be a Quaker. For the
rest, Macaulay was concerned to interpret the seventeenth century in
terms of the triumph of the Whigs as champions of public rights; and he
upheld this one-sidedly but not malignantly in a style of rounded and
ringing sentences, which at its best is like steel and at its worst like
tin.
Public-domain text, read in full here on John Shaqi.
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