The Victorian Age in LiteratureChesterton, G. K. (Gilbert Keith)
History
The Victorian Age in Literature
Chesterton, G. K. (Gilbert Keith)
English literature -- 19th century -- History and criticism
Dickens was a mob--and a mob in revolt; he fought by the light of
nature; he had not a theory, but a thirst. If any one chooses to offer
the cheap sarcasm that his thirst was largely a thirst for milk-punch, I
am content to reply with complete gravity and entire contempt that in a
sense this is perfectly true. His thirst was for things as humble, as
human, as laughable as that daily bread for which we cry to God. He had
no particular plan of reform; or, when he had, it was startlingly petty
and parochial compared with the deep, confused clamour of comradeship
and insurrection that fills all his narrative. It would not be gravely
unjust to him to compare him to his own heroine, Arabella Allen, who
"didn't know what she did like," but who (when confronted with Mr. Bob
Sawyer) "did know what she didn't like." Dickens did know what he didn't
like. He didn't like the Unrivalled Happiness which Mr. Roebuck praised;
the economic laws that were working so faultlessly in Fever Alley; the
wealth that was accumulating so rapidly in Bleeding Heart Yard. But,
above all, he didn't like the _mean_ side of the Manchester philosophy:
the preaching of an impossible thrift and an intolerable temperance. He
hated the implication that because a man was a miser in Latin he must
also be a miser in English. And this meanness of the Utilitarians had
gone very far--infecting many finer minds who had fought the
Utilitarians. In the _Edinburgh Review_, a thing like Malthus could be
championed by a man like Macaulay.
Public-domain text, read in full here on John Shaqi.
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