She laughed, and they walked up to the house together, Robin leading his
horse. A cheery fire burned on the hearth in the square, old-fashioned hall
which Cara had converted into a living-room. As they entered she switched
on the lights, revealing panelled walls, thick dim-hued rugs breaking an
expanse of polished floor, and, by the fire, big, cushioned easy chairs
which seemed to cry aloud for some one to rest weary limbs in their soft,
capacious embrace.
"Ann's always envious of your electric light," remarked Robin. "Being only
cottage folk"--smiling--"we have to content ourselves with lamps, and they
seem prone to do appalling things in the way of smoking and covering the
whole room with greasy soot the moment you take your eye off them."
"I know. They're a frightful nuisance," said Cara, ringing the bell for
tea. "But lamp-light is the most becoming form of illumination, you
know--especially when you're getting on in years, like me!"
Robin helped her off with her coat, lingering a little over the process,
and gazed down at her with adoring eyes.
"Don't--talk--rubbish!" he said, softly and emphatically.
Perhaps he might have gone on to say something more, but at that moment
a trim parlourmaid came in and began to arrange the tea-table beside her
mistress's chair, and for some time afterwards Cara skilfully contrived to
keep the conversation on impersonal lines. It was not until tea was over
that Robin suddenly struck a more intimate note again. He had been watching
her face in silence for a little while, noticing that it looked very small
and pale to-day in its frame of night-dark hair, and that there were faint,
purplish shadows beneath her eyes.
"You look awfully tired!" he remarked with concern. "And sad," he added.
"Is anything bothering you?"
She was silent for a moment, staring into the heart of the fire where the
red and blue flames played flickeringly over the logs.
"I've been taking a look into the past," she said, at last, "It's--it's
rather a dreary occupation."
"I know," he said quietly. "I know." Ignorant of that earlier past of hers,
in which Eliot Coventry had played a part, he was thinking only of her
unhappy married life, about which he had gathered a good deal from other
people and a little--a very little--from Cara herself. But even that little
had let in far more light than she had imagined. Robin's insight was
extraordinarily quick and keen, and a phrase dropped here or there,
even her very silences at times, had enabled him to make a pretty good
conjecture as to the kind of martyrdom she had suffered. It made his blood
boil to think of the mental--and even physical--suffering she must have
endured, tied to the brute and drunken bully which it was common knowledge
Dene Hilyard had been.
"Don't you think," he went on gently, "that you could try to forget it,
Cara? Don't dwell on the past. Think of the future."
Public-domain text, read in full here on John Shaqi.
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