Satire; Spanish literature -- Translations into English
“No, no! follow me, and leave behind thy garment; for a person is not to
be clothed when he follows Death. I will show you my empire, and my
subjects. I am the queen of queens, the empress of sovereigns, the
sovereign of the human race; and the powers of earth are but my
inspectors.”
“How!” exclaimed I, “dare you to say the king of Spain is your inspector?
he who possesses so many territories in the world?”
“Follow, follow,” said Death; “I will show you.”
Immediately all those who were there, went out in the same order they had
entered: Death following the rear of the procession, and I following
Death.
We traversed vast plains and deserts, which resembled cemeteries, or
fields of battle, covered with dead. Directly I perceived, at a
distance, an immense castle, built in the antique style; and when I had
drawn near, I observed that the materials were nothing but bones cemented
with blood and apothecaries’ drugs. The three porters in the court were
very pleasant to the sight. The first resembled a harlequin assuming
divers attitudes, and having upon his habits the figures of kingdoms and
provinces of the earth; in such a fashion, indeed, that I seemed to look
upon a geographical map: his name was the _World_. The second, who
called himself the _Flesh_, was naked, like those figures of Priapus one
sees upon medals. The third was armed, _cap a pie_, in gold and silver,
like a curassier. They told me those three guards were the enemies of
the world, and the porters of Death. The pavement of the court was of
human sculls, as well as that of the chambers: these sculls were arranged
in such a manner, that they resembled a chess board; some being white,
and others, having the hair upon them, appeared black. In the middle of
this court was a fountain of tears: the figures about the basin,
represented Uneasiness, Envy, Jealousy, Despair, Knavery, Sickness,
Medicine, War, Revenge, and Love. The tapestries of the chambers were
all upon particular subjects. One might see in one piece, people
contracting marriage; in another, lawyers pleading a case; in this,
merchants preparing for bankruptcy; in that, _honest_ thieves upon the
grand tour, stripping the peasantry. The others represented an
ecclesiastic, who, dying in his bed, has, in his last moments, the
satisfaction of seeing his house pillaged; a courier riding from Madrid
to Rome, to solicit a benefice; a tiler falling from the roof of a house;
a drunken sailor precipitating himself from his vessel into the sea; a
house burning with such rapidity, that its master is consumed in the
flames; in fine, one might there perceive every species of human death.
Public-domain text, read in full here on John Shaqi.
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