The Wanderings of Persiles and Sigismunda: A Northern StoryCervantes Saavedra, Miguel de
General
The Wanderings of Persiles and Sigismunda: A Northern Story
Cervantes Saavedra, Miguel de
Spanish fiction -- Translations into English; Voyages and travels -- Fiction
seated on the right hand of the Father, in full perfection in Heaven,
as he is on earth by transubstantiation in the sacrament, which holy
presence no absence can divide or part, for one of God's greatest
attributes is, that he is everywhere in essence, and in presence. They
assured her of the infallible coming again of the Lord to judge the
world, and establish firmly his church, against which the gates or
rather the forces of hell shall avail little. They told of the power
of the supreme Pontiff, God's vicegerent on earth, and who holds the
keys of Heaven. At last there remained nothing to be taught, or that
was necessary for Periander and Auristella to understand. These lessons
filled their hearts with joy, drew them out of themselves, and raised
them almost to the Heaven where their thoughts rested.
[Illustration]
CHAPTER VI.
_Arnoldo and the Duke de Nemours contend which shall purchase a
Portrait of Auristella._
From this time Periander and Auristella beheld each other with
different eyes, at least with other eyes did Periander look upon his
Auristella, for now as it appeared to him, she had fulfilled the vow
which brought her to Rome, and might freely and openly accept him as
her husband.
But she meanwhile was seeking on all sides some light from above to
discern what they were to do after they were married, for it was folly
and madness to think of returning to their own country, because she
had been destined to become the wife of Periander's elder brother, and
he, finding his hopes thus frustrated, would probably seek to avenge
his disappointments on his brother and Auristella. These thoughts and
apprehensions made her sometimes low-spirited, and at other times
pensive.
The French ladies visited the churches, and performed the prayers of
the stations with much pomp and majesty, for Croriano was a relation
of the French ambassador, and nothing was wanting that was necessary
to do them honour. They always took Auristella and Constance with
them, and never left the house without being followed by half Rome.
It chanced one day as they were passing through a street, the name
of which is Bancos, they saw against a wall in one of the houses, a
picture. It was the full-length portrait of a woman, with a crown on
her head, which was divided in half, and at her feet a world, on which
she stood. They had scarcely looked at it when they knew it was the
likeness of Auristella, painted so to the life that it was not possible
to doubt for an instant who it was. Auristella wonderingly asked whose
the picture was, and if it was to be sold? The owner of it (who, as
they afterwards knew, was a celebrated painter) said that the picture
was for sale, but he did not know whom it represented. He only knew
that a friend of his had made a copy of it in France, and that it was
said to be a foreign lady, who was on her way to Rome in the dress of a
pilgrim.
Public-domain text, read in full here on John Shaqi.
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