Max Elliot had at first been perturbed by this reticence of the
musician. He had specially wished Mrs. Mansfield to hear what he had
heard. After that evening in Cadogan Square he had several times asked:
"Well, have you heard the Te Deum?" or "Has Heath played any of his
compositions to you yet?" To Mrs. Mansfield's invariable unembarrassed
"No!" he gave a shrug of the shoulders, a "He's an extraordinary
fellow!" or a "Well, I've made a failure of it this time!" Once he
added: "Don't you want to hear his music?" "Not unless he wants me to
hear it," Mrs. Mansfield replied. Elliot looked at her for a minute with
his large, prominent and kind eyes, and said: "No wonder you're adored
by your friends!" Several times since the evening in Cadogan Square he
had heard Heath play his compositions, and he now began to feel as if he
owed this pleasure to his busy and almost vulgar curiosity about musical
development and the progress of artists, as if Heath's reserve were his
greatest proof of regard and friendship. He had not succeeded in
persuading Heath to come to one of his Sunday musical evenings, at which
crowds of people in society and many artists assembled. Mrs. Mansfield
taught him not to attempt any more persuasion. He realized that his
first instinct had been right. The plant must grow in darkness. But he
was always being carried away by artistic enthusiasms, and had an
altruistic desire to share good things. And he dearly loved "a musical
find." He had a certain name as a discoverer of talent, and there's so
much in a name. The lives that have been changed, moulded, governed by a
hastily conferred name!
Mrs. Mansfield was inclined to believe that Heath had invited her to
tea with the intention of at last submitting his talent to her opinion.
They had sometimes talked together of music, but much oftener of books,
character, people, national movements, topics of the day. As she went to
her bedroom to dress for her expedition, she felt a certain hesitation,
almost a disinclination to go. To go was to draw a step or two nearer to
Heath, and so, perhaps, to retreat a step or two from her child. To-day
the fact that Charmian and Heath did not quite "hit it off together"
vexed her spirit, and the slight mystery of their relation troubled her.
As she went down to get into the motor she was half inclined to speak to
Heath on the subject. She was quite certain that she would not speak to
Charmian.
The month was February, and by the time Mrs. Mansfield reached Mullion
House evening was falling. A large motor was drawn up in front of the
house, and as Mrs. Mansfield's chauffeur sounded a melodious chord the
figure of a smartly dressed woman walked across the pavement and stepped
into it. After an instant of delay, caused by this woman's footman, who
spoke to her at the window, the car moved off and disappeared rapidly in
the gathering darkness.
"Was that Adelaide?" Mrs. Mansfield asked herself as she got out.
Public-domain text, read in full here on John Shaqi.
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