The Way of Martha and the Way of MaryGraham, Stephen
Religion
The Way of Martha and the Way of Mary
Graham, Stephen
National characteristics, Russian; Russia -- Religion
Every night, every week, every month Sasha was there, and the crowd and
the music and the air thick with _makhorka_ smoke. Not that the nights
were always the same. Events in the town, in Russia, had their echoes
there. In the time of the South African War Sasha played twenty times a
night the _March of the Boers_. During the festivities of the
Franco-Russian Alliance he played the _Marseillaise_, which was
fearfully popular with the dock-labourers. When the Japanese War broke
out he played all those sad tunes about far Manchuria and fighting in a
strange land.
Alas, the Japanese War made a great change in the tavern. Sasha was
taken for a soldier and disappeared from ken. For a year and a half no
word was heard from him or of him. He was given up for dead, and the
tavern lost its old attraction. At last, however, one night in came
Sasha, the same as ever, unhurt, untouched. He had been captured by the
Japanese and held a year as a prisoner at Nagasaki. He had learned
Japanese music. Not that anybody wanted it.
“Play us the old tunes, Sasha; play _Maroosia_, play _To Odessa we
sailed on the sea_.” Sasha played that night all the old tunes.
The tavern became as of old.
But there was storm in the air. Every one was talking of revolution.
Sasha began to play the _Marseillaise_ again, and now with a different
note from that in which he had played when friendship with France was
being honoured. In came the police and stopped him. They forbade the
playing of any Anthems whatsoever.
There was a _pogrom_ in the town; hired ruffians appeared in the streets
inciting the population to the murder of the Jews. Not once or twice
Sasha himself was taken for a Jew and attacked.
Into the tavern came the same ruffians, and tried to stir up the
drunkards to pillage and violence. Sasha was playing a tune of his own
fancy when suddenly one of them, a converted Jew, jumped up and cried:
“The National Anthem! Brothers, the National Anthem in honour of our
adored monarch. The National Anthem!”
“Anthem, Anthem,” cried his mates.
“No Anthems whatsoever,” said Sasha, repeating the words of the
police-officer.
“What do you mean, you don’t obey, you filthy Jew?” answered the man.
“And you?” said Sasha.
“I? What do you mean?”
“I’m a filthy Jew. All right, what are you?”
“I’m Orthodox.”
“Orthodox! And for how much?”
The whole tavern laughed.
“Brothers,” said the ruffian, “shall we stand the blasphemy of this Jew
against Throne and Church any longer?...”
There was a rush at Sasha. But he jumped up, and lifting his fiddle in a
rage, smashed it on the head of the first who came up to him.
Public-domain text, read in full here on John Shaqi.
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