She pleads that her younger sister is to marry a clergyman, and she pleads further that some attorneys are better than others. But Lady Amelia reminds Augusta that since "it has been God's pleasure that we should be born with high blood in our veins," duty must take precedence over inclination. Thus instructed and vanquished, Augusta refuses Mr. Gazebee. But the author cannot forbear disclosing in an immediate epilogue that some four years after this exchange of correspondence, the proud Lady Amelia succeeded so well in overcoming her scruples that she could accept her own proposal of marriage from Mr. Gazebee. Thus we see that in theory the attorney, the physician, the wealthy businessman, and to a large extent the clergyman, are viewed with disdain from the heights of nobility, whose inherited wealth seems to come from the land. But does that mean the lord of the manor is a farmer? Frank Gresham receives a lesson in this from his father when he suggests that since his proposed marriage to a penniless woman would destroy his chance for a large estate, perhaps he could settle for a relatively small farm. Preoccupied with the ruin to the family that will result from this injudicious marriage, his father--also preoccupied with the reflection that it was his own squandering of the family fortune that has led his son to the consideration of working for a living--can hardly bring himself to think of it. He barely hears his son say that it would take so much time to become an attorney or a doctor. "Yes: I dare say you could have a farm." How quaint these conventions seem to our twenty-first century American sensitivities, liberated from hereditary nobility! Or are they? In Boston, "where the Lowells speak only to the Cabots, and the Cabots speak only to God?" In New Orleans, where Rex is a deity? In any city, where the names of prominent families may outlast the family fortunes and retain a meaning for those who know? What is the basis for our subliminal awareness of class snobbishness, if not from a place and time so well described for us in the novels of Trollope? And how would this Victorian romance play out in today's world? Dr. Thorne would probably not be making house calls today. Perhaps he would be the senior partner in the family practice section of a large multi-specialty clinic. Lady Arabella would be Mrs. Gresham, but she would still find a way to run through her husband's money. Her son Frank would still marry a charming though penniless young woman; and they would succeed in some ways by virtue of their own gifts, though the measure of success would be a bit different. And with luck, some wry observer of the human comedy would tell us about it. If the observer should be blessed with a certain genius, the story would be as entertaining as _Dr. Thorne_. AN ALL-STAR CAST FRAMLEY PARSONAGE