The Way They Lived Then: Serious Interviews, Strong Women, and Lessons for Life in the Novels of Anthony TrollopePrewitt, Taylor
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The Way They Lived Then: Serious Interviews, Strong Women, and Lessons for Life in the Novels of Anthony Trollope
Prewitt, Taylor
Trollope, Anthony, 1815-1882 -- Criticism and interpretation
_Framley Parsonage_ is altogether a charming piece in the Barsetshire
collection. The major figures in the story are new ones, but familiar
friends from previous volumes reappear in subplot roles, lending
continuity for the benefit of faithful readers. Indeed, _Framley
Parsonage_ is almost an all-star game, or Old Timers' Day at the
Ball Park, with brief appearances by stars of previous and future
novels--the Duke of Omnium and Gatherum, Rev. Josiah Crawley, Mrs.
Proudie, Miss Dunstable, and Griselda Grantly. Mark Robarts appears
as a favored young parson at Framley, and one gets the impression
early on that this is the story of a Pinocchio, a naive and untested
cleric who falls into bad company and does a few foolish things.
Specifically, he becomes one of a large company of Trollope's young
men who sign their names to bills of accommodation, basically
cosigning a note, with no means of paying the sum involved. Perhaps
this was a frequent route of descent for the foolish in Victorian
society.
Following the course of Mark's stupidity becomes a bit tedious. There
are, of course, other threads of action. Mark's sister Lucy Robarts
falls in love with the young lord of the manor--Lord Lufton. The
familiar problem of working out a match between a deserving but poor
young girl and a highly-placed lover was just addressed in _Dr.
Thorne_, and here again we have the conflict between the young swain
and his mother who feels obliged to place her son's interests above
every other consideration. Lady Lufton is presented as a basically
kind woman who attempts to ward off little Lucy, sister of the
clergyman of the parish that was "a part of her own establishment."
Lady Lufton is almost persuaded to abandon her objection by Lucy's
forthright presentation.
Lucy alludes to King Cophetua, a legend about a king who saw a beggar
maid from his window and went out and told her that she was to be his
wife. No mention is made of King Cophetua's having had a mother or
an aunt to try to dissuade him from such an unequal liaison, but the
efforts of such mothers and aunts have provided a useful writer's
device.
Lucy's wit emerges as she tells her brother that Lady Lufton had been
civil: "You would hardly believe it, but she actually asked me to
dine. She always does, you know, when she wants to show her good
humour. If you'd broken your leg, and she wished to commiserate you,
she'd ask you to dinner."
The story rumbles along slowly but is redeemed by the great scene
in which Lucy accompanies her brother to Hogglestock Parsonage and
kidnaps Mr. Crawley's four children and sends them to Framley for
proper care while she stays at Hogglestock to risk her life by
nursing Mrs. Crawley, who has typhus, all despite the objections of
Mr. Crawley, the poor but proud parson. Humble little Lucy takes
action while the men at the scene, Dean Arabin and her brother Mark,
just stand around.
Public-domain text, read in full here on John Shaqi.
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