There was nothing in this which shocked Mr. Booker. He laughed inwardly, with a pleasantly reticent chuckle, as he thought of Lady Carbury dealing with his views of Protestantism,--as he thought also of the numerous historical errors into which that clever lady must inevitably fall in writing about matters of which he believed her to know nothing. But he was quite alive to the fact that a favourable notice in the "Breakfast Table" of his very thoughtful work, called the "New Tale of a Tub," would serve him, even though written by the hand of a female literary charlatan, and he would have no compunction as to repaying the service by fulsome praise in the "Literary Chronicle." He would not probably say that the book was accurate, but he would be able to declare that it was delightful reading, that the feminine characteristics of the queens had been touched with a masterly hand, and that the work was one which would certainly make its way into all drawing-rooms. He was an adept at this sort of work, and knew well how to review such a book as Lady Carbury's "Criminal Queens," without bestowing much trouble on the reading. He could almost do it without cutting the book, so that its value for purposes of after sale might not be injured. And yet Mr. Booker was an honest man, and had set his face persistently against many literary malpractices. Stretched-out type, insufficient lines, and the French habit of meandering with a few words over an entire page, had been rebuked by him with conscientious strength. He was supposed to be rather an Aristides among reviewers. But circumstanced as he was he could not oppose himself altogether to the usages of the time. "Bad; of course it is bad," he said to a young friend who was working with him on his periodical. "Who doubts that? How many very bad things are there that we do! But if we were to attempt to reform all our bad ways at once, we should never do any good thing. I am not strong enough to put the world straight, and I doubt if you are." Such was Mr. Booker.