Dosia could not have told at just exactly what period in her existence
the unthinking content of childhood had left her. It was natural to live
in the small, poorly built house, surrounded by an unkempt yard with
broken fences, with small children to dress and care for and a baby to
be tended, and a dinner-table that was set at sixes and sevens, with a
continual desultory striving after a refinement of dress and living that
was never accomplished. It was a matter of course to be always “clearing
up,” yet never in order, and to be always economizing temporarily in
view of the stated remittance which never could be used for paying
anything but back debts when it did come. Dosia was a sweet-natured
child, affectionate and helpful, with a healthy constitution which made
work unnoticeable, and she had taken life happily in the old-fashioned
way according to the views of her elders, without criticism or comment.
Her education, although desultory, had been fairly good, depending
partly on teachers who came from the North and stayed in Balderville for
their health, and partly on her father, who was a man of taste as well
as culture, and who read with her in the evenings when he felt like it;
for that, as everything else, was a matter of inclination with him and
not of duty. She was fond of reading, and had also somewhat of a talent
for music, which made it possible for her to achieve pleasing results
with very little real tuition or practice. Fortunately, she had been
well taught at the beginning.
Society at Balderville was of the fluctuant, intermittent order that
obtains at minor resorts; the crop of visitors was bad or good,
according to the year, like the peaches or cotton. With some of these
visitors Dosia formed eager, transitory friendships, but with others
there could be no assimilation. There were a few nice families settled
in the place, more or less bound together by a community of interest
centering in Balderville and the future of their children, who were
usually sent away to school when half grown.
Public-domain text, read in full here on John Shaqi.
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