Dress in Balderville had been a matter of necessity, not of
choice—bleared and shapeless in effect from much “making over,” as
purchase was not to be thought of. Dosia had had no new clothing for
such a long time that the sensation of delight was so keen that she
almost felt as if it must be wicked. Her skin seemed satin smooth with
the clean freshness of dainty linen against it, and the unwonted perfume
of the suède gloves was subtly intoxicating. She took furtive glimpses
of herself in the glass panel beside her, and the sight filled her with
a delighted wonder. She could hardly believe that she really looked so
much like other people.
It was her toilet that engaged her attention, not her face; she had that
exaggerated idea of the importance of dress which belongs to people who
have never been able to exercise their taste or fancy for
it—particularly those who live in the country. A bit of bright velvet
was like a picture to her, ribbons made a poem; for her face she cared
little. It was not beautiful, but sweet and youthful—just a girl’s
face; small, quite pale, except when she spoke, when the color varied in
it with the moment. She had blue eyes, a good mouth with a short upper
lip, white teeth, and a pretty chin. Her blue eyes had a bright, alert
look in them that waited on those with whom she held converse; her
slender young figure bent slightly forward, while her lips parted
unconsciously, as if in deep attention. This, with her varying color,
gave her a charm.
But her greatest attraction was still the innocent, artless expression
of extreme youth which experience has never touched, which has nothing
to remember and nothing to forget—the typical fair white page, still
unwritten upon, although she had been twenty on her last birthday.
Public-domain text, read in full here on John Shaqi.
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