But the prospect was not quite agreeable to the painter. However cheerfully he went into his studio in the morning, he always grew grave when he came in front of that brilliant canvas. It was the “Black Prince at Limoges,” a picture full of life and action, with all the aid of mediæval costume and picturesque groups--such a picture as commanded everybody’s interest in Mr. Sandford’s younger days. He would go and stand before it for an hour at a time, trying to find some fault in the composition, or in the flesh tints, or the arrangements of the draperies. It took away his thoughts from the subject he was then engaged in working out. Sometimes he would put up his hand to separate one portion from another, sometimes divide it with a screen of paper, sometimes even alter an outline with chalk, or mellow a spot of colour with his brush. There was very little fault to be found with the picture. It carried out all the rules of composition to which the painter had been bred. The group of women which formed the central light was full of beauty; the sick warrior to whom they appealed was a marvel of strength and ferocity, made all the keener by the pallor of his illness. There was nothing to be said against the picture; except, perhaps, that, had not this been Mr. Sandford’s profession, there was no occasion for its existence at all. When the mind has once been filled with a new idea it is astounding how many events occur to heighten it. Other distinguished visitors came to the studio, like Lord Okeham, and went away again, having left a great deal of praise and a little criticism, but nothing else, behind them. These were not, perhaps, of importance enough to have produced much effect at an ordinary moment, but they added to the general discouragement. Mr. Sandford smiled within himself at the mistakes the amateurs made, and the small amount of real knowledge which they showed; but when they were gone the smile became something like that which is generally and vulgarly described as being on the wrong side of the mouth. It was all very well to smile at the amateurs--but it was in the long run their taste, and not that of the heaven-born artist, which carried the day; and when a man takes away in his pocket the sum which ought to supply your balance at your banker’s, the sight of his back as he goes out at the door is not pleasant. Mr. Sandford had not come to that pitch yet; but he laughed no longer, and felt a certain ruefulness in his own look when one after another departed without a word of a commission. There were other things, too, not really of the slightest importance, which deepened the impression--the chatter of Jack’s friends, for instance, some of whom were young journalists, and talked the familiar jargon of critics. He came into the drawing-room one day during one of his wife’s teas, and found two or three young men, sprawling about with legs stretched out over the limited space, who were