“The news was somehow spread among the theatre-loving public that something out if the ordinary was in preparation. The papers took up the tale and repeated it until the whole capital was keyed up to concert pitch. The opening night was eagerly awaited by the critics, the literary and the artistic worlds. When the curtain rose on the first act there was the emotion of a great event floating in the air.” Here Coquelin’s face assumed an intense expression I had rarely seen there before. He was back on the stage, living over again the glorious hours of that night’s triumph. His breath was coming quick and his eyes aglow with the memory of that evening. “Never, never have I lived through such an evening. Victor Hugo’s greatest triumph, the first night of _Hernani_, was the only theatrical event that can compare to it. It, however, was injured by the enmity of a clique who persistently hissed the new play. There is but one phrase to express the enthusiasm at our first performance—_une salle en délire_ gives some idea of what took place. As the curtain fell on each succeeding act the entire audience would rise to its feet, shouting and cheering for ten minutes at a time. The coulisse and the dressing-rooms were packed by the critics and the author’s friends, beside themselves with delight. I was trembling so I could hardly get from one costume into another, and had to refuse my door to every one. Amid all this confusion Rostand alone remained cool and seemed unconscious of his victory. He continued quietly giving last recommendations to the figurants, overseeing the setting of the scenes, and thanking the actors as they came off the stage, with the same self-possessed urbanity he had shown during the rehearsals. Finally, when the play was over, and we had time to turn and look for him, our author had disappeared, having quietly driven off with his wife to their house in the country, from which he never moved for a week.” It struck two o’clock as Coquelin ended. The sleepless city had at last gone to rest. At our feet, as we stood by the open window, the great square around the Arc de Triomphe lay silent and empty, its vast arch rising dimly against the night sky. As I turned to go, Coquelin took my hand and remarked, smiling: “Now you have heard the story of a genius, an actor, and a masterpiece.” CHAPTER 4—Machine-made Men Among the commonplace white and yellow envelopes that compose the bulk of one’s correspondence, appear from time to time dainty epistles on tinted paper, adorned with crests or monograms. “Ha! ha!” I think when one of these appears, “here is something worth opening!” For between ourselves, reader mine, old bachelors love to receive notes from women. It’s so flattering to be remembered by the dear creatures, and recalls the time when life was beginning, and _poulets_ in feminine writing suggested such delightful possibilities.