Only this morning an envelope of delicate Nile green caused me a distinct
thrill of anticipation. To judge by appearances it could contain nothing
less attractive than a declaration, so, tearing it hurriedly open, I
read: “Messrs. Sparks & Splithers take pleasure in calling attention to
their patent suspenders and newest designs in reversible paper collars!”
Now, if that’s not enough to put any man in a bad humor for twenty-four
hours, I should like to know what is? Moreover, I have “patents” in
horror, experience having long ago revealed the fact that a patent is
pretty sure to be only a new way of doing fast and cheaply something that
formerly was accomplished slowly and well.
Few people stop to think how quickly this land of ours is degenerating
into a paradise of the cheap and nasty, but allow themselves to be heated
and cooled and whirled about the streets to the detriment of their nerves
and digestions, under the impression that they are enjoying the benefits
of modern progress.
So complex has life become in these later days that the very beds we lie
on and the meals we eat are controlled by patents. Every garment and
piece of furniture now pays a “royalty” to some inventor, from the hats
on our heads to the carpets under foot, which latter are not only
manufactured, but cleaned and shaken by machinery, and (be it remarked
_en passant_) lose their nap prematurely in the process. To satisfy our
national love of the new, an endless and nameless variety of trifles
appears each season, so-called labor and time-saving combinations, that
enjoy a brief hour of vogue, only to make way for a newer series of
inventions.
As long as our geniuses confined themselves to making life one long and
breathless scramble, it was bad enough, but a line should have been drawn
where meddling with the sanctity of the toilet began. This, alas! was
not done. Nothing has remained sacred to the inventor. In consequence,
the average up-to-date American is a walking collection of Yankee
notions, an ingenious illusion, made up of patents, requiring as nice
adjustment to put together and undo as a thirteenth-century warrior, and
carrying hardly less metal about his person than a Crusader of old.
There are a number of haberdashery shops on Broadway that have caused me
to waste many precious minutes gazing into their windows and wondering
what the strange instruments of steel and elastic could be, that were
exhibited alongside of the socks and ties. The uses of these would, in
all probability, have remained wrapped in mystery but for the experience
of one fateful morning (after a night in a sleeping-car), when countless
hidden things were made clear, as I sat, an awestruck witness to my
fellow-passengers’—toilets?—No! Getting their machinery into running
order for the day, would be a more correct expression.
Public-domain text, read in full here on John Shaqi.
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