This was said with such a tender glance at the children that one realized
the great artist was at home here, surrounded by the people she loved and
understood. True to the “homing” instinct of the French peasant, Madame
Calvé, when fortune came to her, bought and partially restored the
rambling château which at sunset casts its shadow across the village of
her birth. Since that day every moment of freedom from professional
labor and every penny of her large income are spent at Cabrières,
building, planning, even farming, when her health permits.
“I think,” she continued, as we approached the château, “that the
happiest day of my life—and I have, as you know, passed some hours worth
living, both on and off the stage—was when, that wing completed, a Paris
train brought the first occupants for my twenty little bedrooms; no words
can tell the delight it gives me now to see the color coming back to my
patients’ pale lips and hear them laughing and singing about the place.
As I am always short of funds, the idea of abandoning this work is the
only fear the future holds for me.”
With the vivacity peculiar to her character, my companion then whipped up
her cobs and turned the conversation into gayer channels. Five minutes
later we clattered over a drawbridge and drew up in a roomy courtyard,
half blinding sunlight and half blue shadow, where a score of girls were
occupied with books and sewing.
The luncheon bell was ringing as we ascended the terrace steps. After a
hurried five minutes for brushing and washing, we took our places at a
long table set in the cool stone hall, guests stopping in the château
occupying one end around the chatelaine, the convalescents filling the
other seats.
Those who have only seen the capricious diva on the stage or in Parisian
salons can form little idea of the proprietress of Cabrières. No shade
of coquetry blurs the clear picture of her home life. The capped and
saboted peasant women who waited on us were not more simple in their
ways. Several times during the meal she left her seat to inquire after
the comfort of some invalid girl or inspect the cooking in the adjacent
kitchen. These wanderings were not, however, allowed to disturb the
conversation, which flowed on after the mellow French fashion, enlivened
by much wit and gay badinage. One of our hostess’s anecdotes at her own
expense was especially amusing.
Public-domain text, read in full here on John Shaqi.
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