“When in Venice,” she told us, “most prima donnas are carried to and from the opera in sedan chairs to avoid the risk of colds from the draughty gondolas. The last night of my initial season there, I was informed, as the curtain fell, that a number of Venetian nobles were planning to carry me in triumph to the hotel. When I descended from my dressing-room the courtyard of the theatre was filled with men in dress clothes, bearing lanterns, who caught up the chair as soon as I was seated and carried it noisily across the city to the hotel. Much moved by this unusual honor, I mounted to the balcony of my room, from which elevation I bowed my thanks, and threw all the flowers at hand to my escort. “Next morning the hotel proprietor appeared with my coffee, and after hesitating a moment, remarked: ‘Well, we made a success of it last night. It has been telegraphed to all the capitals of Europe! I hope you will not think a thousand francs too much, considering the advertisement!’ In blank amazement, I asked what he meant. ‘I mean the triumphal progress,’ he answered. ‘I thought you understood! We always organize one for the “stars” who visit Venice. The men who carried your chair last night were the waiters from the hotels. We hire them on account of their dress clothes’! Think of the disillusion,” added Calvé, laughing, “and my disgust, when I thought of myself naïvely throwing kisses and flowers to a group of Swiss garçons at fifteen francs a head. There was nothing to do, however, but pay the bill and swallow my chagrin!” How many pretty women do you suppose would tell such a joke upon themselves? Another story she told us is characteristic of her peasant neighbors. “When I came back here after my first season in St. Petersburg and London the _curé_ requested me to sing at our local fête. I gladly consented, and, standing by his side on the steps of the _Mairie_, gave the great aria from the _Huguenots_ in my best manner. To my astonishment the performance was received in complete silence. ‘Poor Calvé,’ I heard an old friend of my mother’s murmur. ‘Her voice used to be so nice, and now it’s all gone!’ Taking in the situation at a glance, I threw my voice well up into my nose and started off on a well-known provincial song, in the shrill falsetto of our peasant women. The effect was instantaneous! Long before the end the performance was drowned in thunders of applause. Which proves that to be popular a singer must adapt herself to her audience.”