He had come to Valentine Olier's house with the firm determination to
bring about a decisive interview between them, and to ask her for her
hand. If he had insisted that she should receive him at a most
unseasonable hour, he had had for that insistence imperative reasons
which excused him beforehand for his indiscretion. His timidity before
that day, and the rapid throbbing of his pulse as he finally crossed the
courtyard, did not come from an embarrassment of the sort that can be
explained. It was the sinking of the heart from excess of emotion, which
accompanies over-powerful desire in untried sensibilities. Naturally
refined, Landri had not aged himself prematurely by the abuse of
precocious experiments. To this young man, who was really entitled to be
so called, what awaited him behind the curtains of that ground floor was
the happiness or the misery of his whole life. But, we repeat, he hoped.
His eyes feasted themselves, as their custom was, on the lines of that
façade, so closely associated with the image of his Valentine. Ah!
would she ever be his? A reflection of her person illuminated in his
eyes that two-story building, charming in very truth, whose light
pilasters, modest decorations, pediment with balustrades, and niches
adorned with classic busts, presented a perfect specimen of the
architecture of the time of Louis XVI,--a composite style, antique and
pastoral, like that extraordinary epoch itself, in which a moribund
society played at idyls--awaiting the tragedy--amid Pompeian
architecture.
This hôtel had been the "folly" of one of the luxurious farmers-general
of that day. To-day the _petite maison_, divided bourgeois-fashion into
small apartments, numbered among its tenants, besides the officer's
widow, a retired magistrate on the first floor, and on the second the
head of a department in the ministry. Thus an elegant caprice,
originally designed for the suppers of a rival of Grimod de la
Reynière, found itself giving shelter to existences of quasi-cloistral
regularity. How gratifying to Landri was Madame Olier's choice of a
habitation so retired!
Left free and alone, at twenty-seven years, with an infant son, with no
near relatives, having few kindred in the world and a modest fortune,
Valentine had valued in that apartment the very thing that would have
disgusted so many women,--the charm of oblivion, of silence and of
meditation. On the other side the ground floor looked upon a very small
garden, adjoining others much larger; and as the dividing wall was
concealed beneath a cloak of ivy, that enclosure of a few square yards
seemed like the corner of a park.
Public-domain text, read in full here on John Shaqi.
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