As he pressed the electric bell, Landri was sure that the only servant,
answering the ring, would conduct him through the narrow reception-room
and the salon with its covered furniture, to a tiny room, looking on the
garden at the rear, which Madame Olier used as a second salon. She would
be there, writing, at the little movable table which she placed by the
fire or by the door-window according to the season. Or else she would be
reading, seated on the bergère covered with an old striped stuff, dead
pink and faded green, always the same. Or else her slender fingers would
be busy with her embroidery needle. Correspondence, reading, work or
music,--a piano which she rarely opened except when alone, told of that
taste of hers,--her occupation would be constantly interrupted by a
glance at the path in the garden, where her son Ludovic was playing.
Landri found therein an image of what the whole life of that widow and
mother had been during the year since she had lost her husband! Great
God! how dearly he loved the young woman for having thus proved to him
how justly he had placed her so far apart from all other women from the
moment of their first meeting!
Valentine was there, in fact, in the small salon softly lighted by the
morning sun which was just making its way through a last film of mist.
She was apparently engrossed by an endless piece of embroidery. But the
music portfolio, still open on the piano, and the stool pushed back a
little way, might have betrayed to the young man how she had passed the
time while awaiting his coming. Still another sign betokened her
agitation. She had not her child with her. Contrary to her custom she
had sent him out to walk at ten o'clock. Why, if not that she might be
alone with her thoughts? Her self-control, however, enabled her to
welcome her visitor with the same inclination of the head as usual,
friendly yet reserved, the same smile of distant affability. At most the
quivering of the eyelids betrayed a nervousness which was contradicted
by the even tones of her voice and by the impenetrable glance of her
limpid blue eyes.
Public-domain text, read in full here on John Shaqi.
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