Such women as she, with hair of a pale gold, almost wavy, with slender
hands and feet, with a tapering figure, and dainty gestures, seem
destined to allow their faintest impressions to appear on the surface,
one judges them to be so vibrant and quivering. On the contrary, it is
generally the case that no one can be more secretive than such
creatures, all delicacy and all emotion as they are. Their very excess
of nervousness becomes in them a source of strength. From their first
experience of the world they comprehend to what degree the acuteness of
their sensations renders them exceptional, solitary beings. By one of
those instincts of self-defence which the moral nature possesses no less
than the physical nature, they manœuvre so as to conceal their hearts,
in order that life may not brutalize them. They become, as it were,
ashamed of their emotions. They hold their peace, at first concerning
the most profound of them, then concerning the most superficial. And
thus they end by developing a power of external impassiveness which adds
to their charm the attractive force of an enigma, especially as this
intentional dualism, this constant watch upon themselves, this prolonged
contrast between what they show and what they feel, between their real
personality and avowed personality, does not fail to exert some
influence even on their manner of feeling and thinking. They are capable
of the nicest shades of discrimination, even to subtlety, when they are
pure; and, if they are not pure, even to stratagem, for the fascination
or the despair of the man who falls in love with them, according as he,
in his turn, is very complex or very simple.
Landri de Claviers-Grandchamp was both, for reasons which were connected
with the peculiar features of his destiny. Thus he had already suffered
much through that woman, and still had owed to her the most delicious
hours that his youth, darkened by an inborn and acquired melancholy, had
ever known. The first words exchanged between him and Madame Olier will
enable us to understand why, and at the same time what dangerous, almost
unhuman, chimeras can suggest themselves to a scrupulous sentimental
woman like Valentine, who loves love and fears it, who cannot determine
either to deprive herself of an affection that is dear to her, or to
sacrifice her self-esteem by abandoning herself to it, who becomes
agitated without losing her head, and whose pulses throb without causing
her to abdicate her reason.
Public-domain text, read in full here on John Shaqi.
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