The Welsh and Their Literature: from The London Quarterly Review, January 1861, American EditionBorrow, George
History
The Welsh and Their Literature: from The London Quarterly Review, January 1861, American Edition
Borrow, George
Welsh literature -- History and criticism
‘Llywelyn of the potent hand oft wrought
Trouble upon the kings and consternation;
When he with the Lloegrain monarch fought,
Whose cry was “Devastation!”
Forward impetuously his squadrons ran;
Great was the tumult ere the shoot began;
Proud was the hero of his reeking glaive,
Proud of their numbers were his followers brave. {25a}
O then were heard resounding o’er the fields
The clash of faulchions and the crash of shields!
Many the wounds in yonder fight receiv’d!
Many the warriors of their lives bereaved!
The battle rages till our foes recoil
Behind the Dike which Offa built with toil.
Bloody their foreheads, gash’d with many a blow,
Blood streaming down their quaking knees below.
Llywelyn we as our high chief obey,
To fair Porth Ysgewin extends his sway;
For regal virtues and for princely line
He towers above imperial Constantine.’
Dafydd ab Gwilym was born at Bro Gynan, in Cardiganshire, in 1293, about
forty years after the whole of Wales had been subjected to the sway of
England. He was the Ovid of Wales, the poet of love and nature. In his
early years he was very dissipated, but towards the latter part of his
life became religious. He died at the age of sixty-three, and was buried
within the precincts of the great monastery of Strata Florida. {25b}
Such was the power of his genius, that the generality of the poets who
succeeded him for the next four hundred years were more or less his
imitators. Iolo Goch, or Red Julius, whose real name was Llwyd, was the
bard of Owen Glendower, and, amongst other pieces, composed a graphic ode
on his patron’s mansion at Sycharth, and the manner of life there:—
‘Its likeness now I’ll limn you out:
’Tis water-girdled wide about;
It shows a wide and stately door,
Reach’d by a bridge the water o’er;
’Tis formed of buildings coupled fair—
Coupled is every couple there;
Within a quadrate structure tall
Muster the merry pleasures all;
Conjointly are the angles bound,
No flaw in all the place is found.
Structures in contact meet the eye
Upon the hillock’s top on high;
Into each other fasten’d they
The form of a hard knot display.
There dwells the chief we all extol
In timber house on lightsome knoll;
Upon four wooden columns proud
Mounteth his mansion to the cloud.
Each column’s thick and firmly bas’d,
And upon each a loft is plac’d;
In those four lofts, which coupled stand,
Repose at night the minstrel band.
Four lofts they were in pristine state,
But now partition’d form they eight.
Tiled is the roof. On each house-top
Rise smoke-ejecting chimneys up.
All of one form there are nine halls,
Each with nine wardrobes in its walls,
With linen white as well supplied
As fairest shops of fam’d Cheapside.
* * * * *
Public-domain text, read in full here on John Shaqi.
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