The Welsh and Their Literature: from The London Quarterly Review, January 1861, American EditionBorrow, George
History
The Welsh and Their Literature: from The London Quarterly Review, January 1861, American Edition
Borrow, George
Welsh literature -- History and criticism
are tombstones and broken ruins, a rustic-looking church; a farmhouse
is near it, in the garden of which stands the framework of a large
gateway. You cross over into the churchyard, stand on a green mound
and look about you. You are now in the very midst of the Monachlog
Ystrad Flur, the celebrated monastery of Strata Florida, to which in
old times popish pilgrims from all parts of the world repaired. The
scene is solemn and impressive. On the north side of the river a
large bulky hill, called Bunk Pen Bannedd, looks down upon the ruins
and the church; and on the south side, some way behind the farmhouse,
is another hill which does the same. Rugged mountains form the
background of the valley to the east, down from which comes murmuring
the fleet but shallow Teivi. Such is the scenery which surrounds
what remains of Strata Florida; those scanty broken ruins compose all
that remains of that celebrated monastery in which kings, saints, and
mitred abbots were buried, and in which, or in whose precincts, was
buried Dafydd ab Gwilym, the greatest genius of the Cimbric race, and
one of the first poets of the world.’
{28} It must be mentioned, however, in justice to Douglas, that in the
autobiography of Dr. Carlyle, lately published, we find that ‘John
Douglas, who has for some time been Bishop of Salisbury, and who is one
of the most able and learned men on that bench, had at this time (1758,
some years after Gronwy had left him) but small preferment.’
{33} In a late number of the Transactions of the Dublin Ossianic
Society—a most admirable institution—there is an account of the early
life of Fin ma Coul, in which the burnt finger is mentioned; but that
number did not appear till more than a year subsequent to the publication
of the ‘Romany Rye,’ and contains not the slightest allusion either to
Fafnisbane, _i.e._ the slayer of Fafnir, or Taliesin—to the Eddacal or
the Cumric legend.
Public-domain text, read in full here on John Shaqi.
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