The Welsh and Their Literature: from The London Quarterly Review, January 1861, American EditionBorrow, George
History
The Welsh and Their Literature: from The London Quarterly Review, January 1861, American Edition
Borrow, George
Welsh literature -- History and criticism
To the Deity under the name of Hu there are some lines by one Rhys, a
Welsh bard of the time of Queen Elizabeth, though they are perhaps more
applicable to the Universal Pan or Nature than to the God of the
Christians:—
‘If with small things we Hu compare,
No smaller thing than Hu is there,
Yet greatest of the great is He,
Our Lord, our God of Mystery;
How swift he moves! a lucid ray,
A sunbeam wafts him on his way;
He’s great on land, and great on ocean,
Of one more great I have no notion;
I dread lest I should underrate
This being, infinitely great.’
{22} The poetical translations in this notice are taken from Borrow’s
‘Songs of Europe.’
{25a}
‘Oedd balch gwalch golchiad ei lain,
Oedd beilch gweilch gweled ei werin.’
In this couplet there is three-fold rhyme. We have the alliteration of
lch in the first line:—
‘ba_lch_ gwa_lch_ go_lch_iad;’
and of the _w_ in the second:—
‘g_w_eilch g_w_eled _w_erin;’
secondly, we have the rhymes of balch and gwalch; and thirdly, the
rhyming at the lines’ ends.
{25b} Of this celebrated place we are permitted to extract the following
account from Mr. Borrow’s unpublished work, ‘Celtic Bards, Chiefs, and
Kings’:—
‘After wandering for many miles towards the south, over a bleak moory
country, you come to a place called Ffair Rhos, or something similar,
a miserable village consisting of a few half-ruined cottages,
situated on the top of a hill. From the hill you look down on a wide
valley of a russet colour, along which a river runs towards the
south. The whole scene is cheerless; sullen hills are all around.
Descending the hill you enter a large village divided into two by the
river, which here runs from east to west, but presently takes a turn.
There is much mire in the street; immense swine lie in the mire, who
turn up their snouts at you as you pass. Women in Welsh hats stand
in the mire, along with men without any hats at all, but with short
pipes in their mouths. They are talking together; as you pass,
however, they hold their tongues, the women leering contemptuously at
you, the men glaring sullenly at you, and causing tobacco-smoke to
curl in your face. On your taking off your hat, however, and
inquiring the way to the Monachlog, everybody is civil enough, and
twenty voices tell you the way to the monastery. You ask the name of
the river: “The Teivi, Sir, the Teivi.” The name of the bridge:
“Pont y Rhyd Fendigaid—the Bridge of the Blessed Ford, Sir!” You
cross the bridge of the Blessed Ford, and presently leaving the main
road you turn to the east, by a dunghill, up a narrow lane, parallel
with the river. After proceeding a mile up the lane amidst trees and
copses, and crossing a little brook which runs into the Teivi, out of
which you drink, you see before you in the midst of a field, in which
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account