The Welsh and Their Literature: from The London Quarterly Review, January 1861, American Edition — John Shaqi
The Welsh and Their Literature: from The London Quarterly Review, January 1861, American EditionBorrow, George
History
The Welsh and Their Literature: from The London Quarterly Review, January 1861, American Edition
Borrow, George
Welsh literature -- History and criticism
Yes; the Cymric or British race were dispossessed of Britain with the
exception of that part which they still emphatically call Cumrie, but
which by other people is called Wales. There they remained independent
for a long time, governed by their own princes; and there, though now
under the sway of England, they still preserve their venerable language,
the oldest in the world, with perhaps the exception of the Gaulic or
Irish, with which it is closely connected. Wales is not a Cymric but a
Saxon or Teutonic word, bestowed on the land of the Cymry by the seed of
Hengist. Like the Gaelic word Alban, it means a hilly or mountainous
region, and is connected with wall, wold, and wood. The Germans, from
very early times, have called the Cymry Welsh or Waldenses, and the
country where they happened to be, Welschland. They still apply to Italy
the name of Welschland, a name bestowed upon it by their ancestors,
because it was originally principally peopled by the Cymry, whom the
Germans called Welsh from the circumstance of their inhabiting some
mountainous or forest country in the far East, when they first came in
contact with them.
We now proceed to give some account of the literature of the Cymry. We
commence with their poetry, and from a very early period, quoting from a
Cymric Triad:—‘These are the three artificers of poetry and record
amongst the nation of the Cymry: Gwyddon Ganhebon, who first in the world
invented vocal song; and Hu the Mighty, who first invented the means of
recording and preserving vocal song; and Tydan, the father of the muse,
who first gave rules to vocal song and a system to recording. From what
these three men effected Bards and Bardism were derived; the dignities
and customs pertaining to which were arranged systematically by the three
original bards, Plenydd, Alon, and Gwbon.’ Three ranks or orders
constituted what was called barddas, or bardism; that of bard or poet,
that of ovydd or philosopher, and that of druid or instructor. The motto
of this institution was—‘Y Gwir yn erbyn y byd,’ or The Truth against the
world; from which it would appear that bardism was instituted for the
purpose of propagating truth. Bardism, or as it is generally though
improperly styled, druidism, was the fount of instruction, moral and
religious, in Britain and in Gaul. The vehicle by which instruction, or,
as it was probably termed, truth, was propagated, was poetry. The bard
wrought the philosophy of the ovydd into song, and the druid or
instructor, who was also minister of such religion as the Celts and Cymry
possessed, whatever that was, communicated to his pupils the result of
the labours of the bard and ovydd. The Druidical verses then probably
constituted the most ancient poetry of Britain. These verses were
communicated orally, and were never written down whilst bardism or
druidism lasted, though the bards and druids at a very early period were
acquainted with the use of letters. Whether any genuine bardic poetry
Public-domain text, read in full here on John Shaqi.
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