West Indies -- Description and travel; West Indies -- Pictorial works
the signal for the breaking of the lines; and the men snatch their
partners and twirl more giddy circles. Interesting as the dancing was it
could not be called either fascinating or unique. Save for the coloured
skin of the dancers, and the curious odour of the room, a similar scene
can be witnessed in any European ballroom. From the dignity ballroom we
went to a concert hall where all the performers were coloured and all
the audience jet black. The performers seemed to enjoy the entertainment
most of all.
The songs were delivered in European concert fashion, and they were
mostly well known ballads:--“Robin Adair,” “I dreamt that I dwelt in
Marble Halls,” and other old airs of that description. It was not an
interesting performance. But the audience applauded everything, they
encored everyone, and when a reciter appeared and gave a rendering of
Hamlet by “Mr. William Shakespeare” members of the audience could
scarcely contain themselves. It was a bad recitation, but I fancy the
people in the body of the hall had paid their entrance money and were
determined to make the best of the business. Certainly they seemed to
like hearing themselves shout. We asked a supercilious half-breed, who
wore an evening suit and a crimson necktie, where we could hear some
native singing.
“If,” said he, “you refer to the songs of the negroes, I can only
indicate the low rum shops, and even there it is not permitted.”
Evidently his opinion of the musical abilities of the black man was not
a high one. However we accepted his advice and journeyed to the rum
shops.
In the architecture of their drinking saloons, as in nearly everything
else, the Jamaicans have imitated New York rather than London. You enter
a swing door and discover a long room fitted with a serving counter, and
otherwise bare of furniture. A man presides over the rum bottles, and
the drinkers are mostly negroes of the richer class; small shopkeepers,
clerks, buggymen, and adventurers. We put our heads in the doors of many
of the drinking shops but we never heard the native music.
We had to be content with a pilgrimage through the deserted streets of
the capital. Save for a few buggies and now and then a noisy road car,
Kingston was almost deserted. At some of the street corners groups of
men were engaged in violent conversation, and occasionally we saw a
policeman; otherwise the empty pavements echoed only the noise of our
walking. There are no theatres in Jamaica, and all the wealthier people
live in the distant suburbs. The poorer black men who live in the side
streets of the town have to be up betimes, so they do not waste their
strength by keeping up late at night. It is a cold and a deathly place
at night, this little town of Kingston. No shop keeps open after dark;
no lights appear in the windows of the houses; no crowds of people
promenade the High Street, and jostle each other in friendly rivalry.
Public-domain text, read in full here on John Shaqi.
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