Once more quite unintentionally he stumbled upon these two people. It was about seven o’clock. He stopped outside a linen draper’s and peered over the goods in the window at the assistants in torment. He could have spent a whole day happily at that. He told himself that he was trying to see how they dressed out the brass lines over their counters, in a purely professional spirit, but down at the very bottom of his heart he knew better. The customers were a secondary consideration, and it was only after the lapse of perhaps a minute that he perceived that among them was—the Young Lady in Grey! He turned away from the window at once, and saw the other man in brown standing at the edge of the pavement and regarding him with a very curious expression of face. There came into Mr. Hoopdriver’s head the curious problem whether he was to be regarded as a nuisance haunting these people, or whether they were to be regarded as a nuisance haunting him. He abandoned the solution at last in despair, quite unable to decide upon the course he should take at the next encounter, whether he should scowl savagely at the couple or assume an attitude eloquent of apology and propitiation. X. THE IMAGININGS OF MR. HOOPDRIVER’S HEART Mr. Hoopdriver was (in the days of this story) a poet, though he had never written a line of verse. Or perhaps romancer will describe him better. Like I know not how many of those who do the fetching and carrying of life,—a great number of them certainly,—his real life was absolutely uninteresting, and if he had faced it as realistically as such people do in Mr. Gissing’s novels, he would probably have come by way of drink to suicide in the course of a year. But that was just what he had the natural wisdom not to do. On the contrary, he was always decorating his existence with imaginative tags, hopes, and poses, deliberate and yet quite effectual self-deceptions; his experiences were mere material for a romantic superstructure. If some power had given Hoopdriver the ‘giftie’ Burns invoked, ‘to see oursels as ithers see us,’ he would probably have given it away to some one else at the very earliest opportunity. His entire life, you must understand, was not a continuous romance, but a series of short stories linked only by the general resemblance of their hero, a brown-haired young fellow commonly, with blue eyes and a fair moustache, graceful rather than strong, sharp and resolute rather than clever (cp., as the scientific books say, p. 2). Invariably this person possessed an iron will. The stories fluctuated indefinitely. The smoking of a cigarette converted Hoopdriver’s hero into something entirely worldly, subtly rakish, with a humorous twinkle in the eye and some gallant sinning in the background. You should have seen Mr. Hoopdriver promenading the brilliant gardens at Earl’s Court on an early-closing night. His meaning glances! (I dare not give the meaning.) Such an influence as