The Wheels of Chance: A Bicycling IdyllWells, H. G. (Herbert George)
General
The Wheels of Chance: A Bicycling Idyll
Wells, H. G. (Herbert George)
Cycling -- Fiction; England -- Social conditions -- 19th century -- Fiction
the eloquence of a revivalist preacher would suffice to divert the
story into absolutely different channels, make him a white-soured hero,
a man still pure, walking untainted and brave and helpful through miry
ways. The appearance of some daintily gloved frockcoated gentleman with
buttonhole and eyeglass complete, gallantly attendant in the rear of
customers, served again to start visions of a simplicity essentially
Cromwell-like, of sturdy plainness, of a strong, silent man going
righteously through the world. This day there had predominated a fine
leisurely person immaculately clothed, and riding on an unexceptional
machine, a mysterious person—quite unostentatious, but with accidental
self-revelation of something over the common, even a “bloomin’ Dook,”
it might be incognito, on the tour of the South Coast.
You must not think that there was any _telling_ of these stories of
this life-long series by Mr. Hoopdriver. He never dreamt that they were
known to a soul. If it were not for the trouble, I would, I think, go
back and rewrite this section from the beginning, expunging the
statements that Hoopdriver was a poet and a romancer, and saying
instead that he was a playwright and acted his own plays. He was not
only the sole performer, but the entire audience, and the entertainment
kept him almost continuously happy. Yet even that playwright comparison
scarcely expresses all the facts of the case. After all, very many of
his dreams never got acted at all, possibly indeed, most of them, the
dreams of a solitary walk for instance, or of a tramcar ride, the
dreams dreamt behind the counter while trade was slack and mechanical
foldings and rollings occupied his muscles. Most of them were little
dramatic situations, crucial dialogues, the return of Mr. Hoopdriver to
his native village, for instance, in a well-cut holiday suit and natty
gloves, the unheard asides of the rival neighbours, the delight of the
old ‘mater,’ the intelligence—“A ten-pound rise all at once from
Antrobus, mater. Whad d’yer think of that?” or again, the first
whispering of love, dainty and witty and tender, to the girl he served
a few days ago with sateen, or a gallant rescue of generalised beauty
in distress from truculent insult or ravening dog.
Public-domain text, read in full here on John Shaqi.
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