The White Riband; Or, A Young Female's Folly — John Shaqi
The White Riband; Or, A Young Female's FollyJesse, F. Tennyson (Fryniwyd Tennyson)
General
The White Riband; Or, A Young Female's Folly
Jesse, F. Tennyson (Fryniwyd Tennyson)
Girls -- Fiction; Social classes -- Fiction; Women -- Fiction
Blow, little cherub, puff your cherubic hardest, never can you waft
Flora Le Pettit higher than she now is, at least in the sight of one
pair of black eyes, higher, perhaps, than she will ever be again, even
in that of her own not uncomplacent orbs.
Blow, little cherub, but even if you burst the roseate beads from off
your cheeks in your ardour, leaving forlornly drooping the grey threads
that would show you as, after all, of mere mortal manufacture, you could
not cast a doubt as big as the tiniest bead upon the heavenly origin of
Miss Le Pettit--not, at least, in the heart of the devout worshipper
born in that instant upon the black woollen doormat.
The angelic visitant put up a tortoise-shell lorgnon and examined the
newcomer with a flicker of condescending interest. For Flora was a young
lady of great sensibility, and though, of course, all females are filled
by nature with that interesting and appealing quality, the finer amongst
them educate and make an art of it. Miss Le Pettit, then, encouraged her
sensibility, nursed it, nourished it, on the most exquisite of novels
and the rarest of romances, and these had taught her to show even more
sensibility than usual at sight of a barefoot girl with black hair and
eyes and an arresting, though wholly unconscious air that could but be
described by Miss Le Pettit, to herself and afterwards to her friends,
as Italianate.
"What an interesting face and figure!" she now exclaimed, at gaze
through the lorgnon, as though it were a celestial aid to vision needful
for such a long range, as it must be even for angelic eyes looking from
the skiey ramparts to a world where bare feet press the earth, to say
nothing of woollen doormats.
Loveday blenched before that searching gaze, the rare red burned in her
cheek and her own eyes sank abashed. She rubbed the flexible sole of one
foot in a stiffened curve of shyness against the slim ankle of the
other. Mrs. Lear exclaimed aloud in her horror.
"Loveday Strick, where are your manners to, that you come into the
parlour without a curtsey?" said she. "And indeed, I must ask you to
excuse her, ma'am, for she's but a nobody's girl from the village, and
doesn't know how to behave before gentry."
Mrs. Lear was a good soul, and had ever been kind to Loveday, but she
too had her sensibilities, and they were outraged by this untimely
intrusion of one world into another which was doubtless unaware even of
its existence. But Miss Le Pettit put up a delicate gloved hand in
protest.
"Nay, you frighten the child, Mrs. Lear," she said kindly, "I am sure
she means no disrespect. Did you ... what is your name, girl?'
"Loveday, ma'am."
"What a strange, old-fashioned name, to be sure," commented the taffetas
angel, with a crystal sounding titter, "'tis as good as the heroine in a
play. Whom were you called for, child?"
"My mother, ma'am," said Loveday, and now her cheek had ceased to burn
and looked pale, but she raised her eyes and confronted the vision
steadily.
Public-domain text, read in full here on John Shaqi.
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